the miracle

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The Hermit Crab

Mary Oliver

Once I looked inside
the darkness
of a shell folded like a pastry
and there was a fancy face—

or almost a face—
it turned away
and frisked up its brawny forearms
so quickly

against the light
and my looking in
I scarcely had time to see it,
gleaming

under the pure white roof
of old calcium
When I set it down, it hurried
along the tideline

of the sea,
which was slashing along as usual,
shouting and hissing
toward the future,

turning its back
with every tide on the past,
leaving the shore littered
every morning

with more ornaments of death—
what a pearly rubble
from which to choose a house
like a white flower—

and what a rebellion
to leap into it
and hold on,
connecting everything,

the past to the future—
which is of course the miracle—
which is the only argument there is
against the sea.

stone-hard beauty

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The Poet with His Face in His Hands
by Mary Oliver

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn’t need anymore of that sound.

So if you’re going to do it and can’t
stop yourself, if your pretty mouth can’t
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.

idle and blessed

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The Summer Day
By Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

Halawa

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Halawa 2016 by Drea On the beautiful island of Molokai is the sacred Halawa Valley. http://dreajensengallery.pixels.com/featured/halawa-2016-drea-jensen.html

Halawa 2016 by Drea
On the beautiful island of Molokai is the sacred Halawa Valley.
http://dreajensengallery.pixels.com/featured/halawa-2016-drea-jensen.html

Can You Imagine?
by Mary Oliver

For example, what the trees do
not only in lightning storms
or the watery dark of a summer’s night
or under the white nets of winter
but now, and now, and now – whenever
we’re not looking. Surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade – surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

shout and whisper

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Leaves and Blossoms Along the Way
by Mary Oliver

If you’re John Muir you want trees to
live among. If you’re Emily, a garden
will do.
Try to find the right place for yourself.
If you can’t find it, at least dream of it.

When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.

Anything that touches.

God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.

Some words will never leave God’s mouth,
no matter how hard you listen.

In all the works of Beethoven, you will
not find a single lie.

All important ideas must include the trees,
the mountains, and the rivers.

To understand many things you must reach out
of your own condition.

For how many years did I wander slowly
through the forest. What wonder and
glory I would have missed had I ever been
in a hurry!

Beauty can both shout and whisper, and still
it explains nothing.

The point is, you’re you, and that’s for keeps.

roots and sealed seeds

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Fall Song
by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries – – -roots and sealed seeds
and the wanderings of water. This

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – – – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

beside the river

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There is a Place Beyond Ambition
by Mary Oliver

When the flute players
couldn’t think of what to say next

they laid down their pipes,
then they lay down themselves
beside the river

and just listened.
Some of them, after a while,
jumped up
and disappeared back inside the busy town.
But the rest–
so quiet, not even thoughtful–
are still there,

still listening.

ocean’s shine

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Mindful
by Mary Oliver

Every Day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It is what I was born for—
to look, to listen,

to lose myself
inside this soft world—
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant—
but of the ordinary,
the common, the very drab

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these—
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?

sublime thought

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Evidence
By Mary Oliver

I.

Where do I live? If I had no address, as many people
do not, I could nevertheless say that I lived in the
same town as the lilies of the field, and the still
waters.

Spring, and all through the neighborhood now there are
strong men tending flowers.

Beauty without purpose is beauty without virtue. But
all beautiful things, inherently, have this function –
to excite the viewers toward sublime thought. Glory
to the world, that good teacher.

Among the swans there is none called the least, or
the greatest.

I believe in kindness. Also in mischief. Also in
singing, especially when singing is not necessarily
prescribed.

As for the body, it is solid and strong and curious
and full of detail; it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue.

Keep some room in your heart for the unimaginable.

2.

There are many ways to perish, or to flourish.

How old pain, for example, can stall us at the threshold of function….

Still friends, consider stone, that is without the fret of gravity, and water that is without anxiety.

And the pine trees that never forget their recipe for renewal.

And the female wood duck who is looking this way and that way for her children. And the snapping turtle who is looking this way and that way also. This is the world.

And consider, always, every day, the determination of the grass to grow despite the unending obstacles.

3.

I ask you again: if you have not been enchanted by this adventure–your life–what would do for you?

And, where are you, with your ears bagged down as if with packets of sand? Listen. We all have much more listening to do. Tear the sand away. And listen. The river is singing. …

For myself, I have walked in these woods for
More than forty years, and I am the only
thing, it seems, that is about to be used up.
Or, to be less extravagant, will, in the
Foreseeable future, be used up.

First, though, I want to step out into some
fresh morning and look around and hear myself
crying out: “The house of money is falling! The house of money is falling! The weeds are rising! The weeds are rising!”