WHEN I AM AMONG TREES
by Mary Oliver

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks, and the pines,
they give off such hints of gladness.

I would almost say that they save me, and daily.
I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.
Around me the trees stir in their leaves
and call out, “Stay awhile.”

The light flows from their branches.
And they call again, “It’s simple,”
they say, “and you, too, have come
into the world to do this, to go easy,
to be filled with light, and to shine.”

Black Oaks
By Mary Oliver

Okay, not one can write a symphony, or a dictionary,

or even a letter to an old friend, full of remembrance
and comfort.

Not one can manage a single sound though the blue jays
carp and whistle all day in the branches, without
the push of the wind.

But to tell the truth after a while I’m pale with longing
for their thick bodies ruckled with lichen

and you can’t keep me from the woods, from the tonnage

of their shoulders, and their shining green hair.

Today is a day like any other: twenty-four hours, a
little sunshine, a little rain.

Listen, says ambition, nervously shifting her weight from
one boot to another — why don’t you get going?

For there I am, in the mossy shadows, under the trees.

And to tell the truth I don’t want to let go of the wrists
of idleness, I don’t want to sell my life for money,

I don’t even want to come in out of the rain.

In Blackwater Woods
by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

Peonies
Mary Oliver

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers

and they open —
pools of lace,
white and pink —
and all day the black ants climb over them,

boring their deep and mysterious holes
into the curls,
craving the sweet sap,
taking it away

to their dark, underground cities —
and all day
under the shifty wind,
as in a dance to the great wedding,

the flowers bend their bright bodies,
and tip their fragrance to the air,
and rise,
their red stems holding

all that dampness and recklessness
gladly and lightly,
and there it is again —
beauty the brave, the exemplary,

blazing open.
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

What I Have Learned So Far
by Mary Oliver

Meditation is old and honorable,
so why should I not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

All summations have a beginning, all effect has a
story, all kindness begins with the sown seed.
Thought buds toward radiance. The gospel of
light is the crossroads of – indolence, or action.

Be ignited, or be gone.

Lines Written in the Days of Growing Darkness
by Mary Oliver

Every year we have been
witness to it: how the
world descends
into a rich mash, in order that
it may resume.
And therefore
who would cry out

to the petals on the ground
to stay,
knowing, as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?
So let us go on

though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.

Music
By Mary Oliver

I tied together
a few slender reeds, cut
notches to breathe across and made
such music you stood
shock still and then

followed as I wandered growing
moment by moment
slant-eyes and shaggy, my feet
slamming over the rocks, growing
hard as horn, and there

you were behind me, drowning
in the music, letting
the silver clasps out of your hair,
hurrying, taking off
your clothes.

I can’t remember
where this happened but I think
it was late summer when everything
is full of fire and rounding to fruition
and whatever doesn’t,
or resists,
must lie like a field of dark water under
the pulling moon,
tossing and tossing.

In the brutal elegance of cities
I have walked down
the halls of hotels

and heard this music behind
shut doors.

Do you think the heart
is accountable? Do you think the body
any more than a branch
of the honey locust tree,

hunting water,
hunching toward the sun,
shivering, when it feels
that good, into
white blossoms?

Or do you think there is a kind
of music, a certain strand
that lights up the otherwise
blunt wilderness of the body –
a furious
and unaccountable selectivity?

Ah well, anyway, whether or not
it was late summer, or even
in our part of the world, it is all
only a dream, I did not
turn into the lithe goat god. Nor did you come running
like that.

Did you?

SELF-PORTRAIT
by Mary Oliver

I wish I was twenty and in love with life
and still full of beans.

Onward, old legs!
There are the long, pale dunes; on the other side
the roses are blooming and finding their labor
no adversity to the spirit.

Upward, old legs! There are the roses, and there is the sea
shining like a song, like a body
I want to touch

though I’m not twenty
and won’t be again but ah! seventy. And still
in love with life. And still
full of beans.

The Mango
By Mary Oliver

One evening

I met the mango.

At first there were four or five of them

in a bowl.

They looked like stones you find

in the rivers of Pennsylvania

when the waters are low.

That size, and almost round.

Mossy green.

But this was a rich house, and clever too.

After salmon and salads,

mangoes for everyone appeared on blue plates,

each one cut in half and scored

and shoved forward from its rind, like an orange flower,

cubist and juicy.

When I began to eat

things happened.

All through the sweetness I heard voices,

men and women talking about something—

another country, and trouble.

It wasn’t my language, but I understood enough.

Jungles, and death. The ships

leaving the harbors, their holds

filled with mangoes.

Children, brushing the flies away

from their hot faces

as they worked in the fields.

Men, and guns.

The voices all ran together

so that I tasted them in the taste of the mango,

a sharp gravel in the flesh.

Later, in the kitchen, I saw the stones

like torn-out tongues

embedded in the honeyed centers.

They were talking among themselves—

family news,

a few lines of a song

Messenger
by Mary Oliver

My work is loving the world.

Here the sunflowers, there the hummingbird—

equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.


Are my boots old? Is my coat torn?

Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,

which is my work,


which is mostly standing still and learning to be
astonished.

The phoebe, the delphinium.

The sheep in the pasture, and the pasture.

Which is mostly rejoicing, since all the ingredients are here,



which is gratitude, to be given a mind and a heart

and these body-clothes,

a mouth with which to give shouts of joy

to the moth and the wren, to the sleepy dug-up clam,

telling them all, over and over, how it is

that we live forever.