Monthly Archives: August 2017

moon snails

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Drea Art
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Breakage
Mary Oliver

I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It’s like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.

Then you begin, slowly, to read the whole story.

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slowing down for happiness

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Drea Art
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Coming Home
by Mary Oliver

When we are driving in the dark,
on the long road to Provincetown,
when we are weary,
when the buildings and the scrub pines lose their familiar look,
I imagine us rising from the speeding car.
I imagine us seeing everything from another place–
the top of one of the pale dunes, or the deep and nameless
fields of the sea.
And what we see is a world that cannot cherish us,
but which we cherish.
And what we see is our life moving like that
along the dark edges of everything,
headlights sweeping the blackness,
believing in a thousand fragile and unprovable things.
Looking out for sorrow,
slowing down for happiness,
making all the right turns
right down to the thumping barriers to the sea,
the swirling waves,
the narrow streets, the houses,
the past, the future,
the doorway that belongs
to you and me.

in love with life

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Drea Art
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SELF-PORTRAIT
by Mary Oliver

I wish I was twenty and in love with life
and still full of beans.

Onward, old legs!
There are the long, pale dunes; on the other side
the roses are blooming and finding their labor
no adversity to the spirit.

Upward, old legs! There are the roses, and there is the sea
shining like a song, like a body
I want to touch

though I’m not twenty
and won’t be again but ah! seventy. And still
in love with life. And still
full of beans.

a miracle

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Drea Art
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This Morning
By Mary Oliver

This morning the redbirds’ eggs

have hatched and already the chicks

are chirping for food. They don’t

know where it’s coming from, they

just keep shouting, “More! More!”

As to anything else, they haven’t

had a single thought. Their eyes

haven’t yet opened, they know nothing

about the sky that’s waiting. Or

the thousands, the millions of trees.

They don’t even know they have wings.

And just like that, like a simple

neighborhood event, a miracle

is taking place.

intimate and ultimate

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Drea Art
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To Begin With, the Sweet Grass
by Mary Oliver

1.
Will the hungry ox stand in the field and not eat of the sweet grass?
Will the owl bite off its own wings?
Will the lark forget to lift its body in the air or forget to sing?
Will the rivers run upstream?

Behold, I say–behold
the reliability and the finery and the teachings of this gritty earth gift.

2.
Eat bread and understand comfort.
Drink water, and understand delight.
Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds
who are drinking the sweetness, who are thrillingly gluttonous.

For one thing leads to another.
Soon you will notice how stones shine underfoot.
Eventually tides will be the only calendar you believe in.

And someone’s face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper:
oh, let me, for a while longer, enter the two
beautiful bodies of your lungs.

3.
The witchery of living
is my whole conversation
with you my darlings.
All I can tell you is what I know.

Look, and look again.
This world is not just a little thrill for the eyes.

It’s more than bones.
It’s more than the delicate wrist with its personal pulse.
It’s more than the beating of the single heart.
It’s praising.
It’s giving until the giving feels like receiving.
You have a life—just imagine that!
You have this day, and maybe another, and maybe still another.

4.
Someday I am going to ask my friend Paulus,
the dancer, the potter,
to make me a begging bowl
which I believe
my soul needs.

And if I come to you,
to the door of your comfortable house
with unwashed clothes and unclean fingernails,
will you put something into it?

I would like to take this chance.
I would like to give you this chance.

5.
We do one thing or another; we stay the same or we change.
Congratulations if you have changed.

6.
Let me ask you this.
Do you also think that beauty exists for some fabulous reason?

And if you have not been enchanted by this adventure—your life—
what would do for you?

7.
What I loved in the beginning, I think, was mostly myself.
Never mind that I had to, since somebody had to.
That was many years ago.
Since then I have gone out from my confinements, though with difficulty

I mean the ones that are thought to rule my heart.
I cast them out, I put them on the mush pile.
They will be nourishment somehow (everything is nourishment somehow or another).

And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.

And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.

hope and risk

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Drea Art
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I Don’t Want to Live a Small Life
By Mary Oliver

I don’t want to live a small life. Open your eyes,
open your hands. I have just come
from the berry fields, the sun

kissing me with its golden mouth all the way

(open your hands) and the wind-winged clouds
following along thinking perhaps I might

feed them, but no I carry these heart-shapes

only to you. Look how many small
but so sweet and maybe the last gift

I will bring to anyone in this

world of hope and risk, so do
Look at me. Open your life, open your hands.

moon and water

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Drea Art
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Moon and Water
By Mary Oliver

I wake and spend
the last hours
of darkness
with no one

but the moon.
She listens
to my complaints
like the good

companion she is
and comforts me surely
with her light.
But she, like everyone,

has her own life.
So finally I understand
that she has turned away,
is no longer listening.

She wants me
to refold myself
into my own life.
And, bending close,

as we all dream of doing,
she rows with her white arms
through the dark water
which she adores.