Monthly Archives: April 2019

to be home

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Drea Art
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The Return
by Mary Oliver

1.
When I went back to the sea
it wasn’t waiting.
Neither had it gone away.
All its musics were safe and sound; the circling gulls
were still a commonplace, the fluted shells
rolled on the shore
more beautiful than money –
oh, yes, more beautiful than money!
The thick-necked seals
stood in the salted waves with their soft, untroubled faces
gazing shoreward –
oh bed of silk,
lie back now on your prairies of blackness your fields of sunlight
that I may look at you.
I am happy to be home.

2.
I do not want to be frisky, and theatrical.
I do not want to go forward in the parade of names.
I do not want to be diligent or necessary or in any way
heavy.
From my mouth to God’s ear, I swear it; I want only
to be a song.
To wander around in the fields like a little reed bird.
To be a song.

3.
Two eggs rolled from the goose nest
down to the water and halfway into the water.
What good is hoping?
I went there softly, and gathered them
and put them back into the nest
of the goose who bit me hard with her
lovely black beak with the pink
tongue-tip quivering,
and beat my arms with her
lovely long wings
and beat my face with her
lovely long wings,
what good is trying?
She hissed horribly, wanting me to be frightened.
I wasn’t frightened.
I just knew it was over,
those cold white eggs would never hatch,
the birds would forget, soon, and go back,
to the light-soaked pond,
what good is remembering?
But I wasn’t frightened.

4.
Sometimes I really believe it, that I am going to
save my life
a little.

5.
When I found the seal pup alone on the far beach,
not sleeping but looking all around, I didn’t
reason it out, for reason would have sent me away,
I just
went close but not too close, and lay down on the sand
with my back toward it, and
pretty soon it rolled over, and rolled over
until the length of its body lay along
the length of my body, and so we touched, and maybe
our breathing together was some kind of heavenly conversation
in God’s delicate and magnifying language, the one
we don’t dare speak out loud,
not yet.

6.
Rumi the poet was a scholar also.
But Shams, his friend, was an angel.
By which I don’t mean anything patient and sweet,
When I read how he took Rumi’s books and threw them
into the duck pond,
I shouted for joy. Time to live now,
Shams meant.
I see him, turning away
casually toward the road, Rumi following, the books
floating and sinking among the screeching ducks,
oh, beautiful book-eating pond!

7.
The country of the mockingbird is where I now want to be,
thank you, yes.
The days when the snow-white swans might pass over the dunes
are the days I want to eat now, slowly and carefully
and with gratitude. Thank you.
The hours fresh and tidal are the hours I want to hold
in the palm of my hand, thank you, yes.
Such grace, thank you!
The gate I want to open now is the one that leads into
the flower-bed of my mind, thank you, yes.
Every day the slow, fresh wind, thank you, yes.
The wing, in the dark, that touches me.
Thank you.
Yes.

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what gorgeous thing

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Drea Art
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What Gorgeous Thing
by Mary Oliver

I do not know what gorgeous thing
the bluebird keeps saying,
his voice easing out of his throat,
beak, body into the pink air
of the early morning. I like it
whatever it is. Sometimes
it seems the only thing in the world
that is without dark thoughts.
Sometimes it seems the only thing
in the world that is without
questions that can’t and probably
never will be answered, the
only thing that is entirely content
with the pink, then clear white
morning and, gratefully, says so.

bursts into bloom

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Drea Art
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Wild, Wild
By Mary Oliver

This is what love is:

The dry rose bush the gardener, in his pruning, missed

Suddenly bursts into bloom.

A madness of delight; an obsession.

A holy gift, certainly,

But often, alas, improbable.

Why couldn’t Romeo have settled for someone else?

Why couldn’t Tristan and Isolde have refused

The shining cup

Which would have left peaceful the whole kingdom?

Wild sings the bird of the heart in the forests

Of our lives.

Over and over Faust, standing in the garden, doesn’t know

Anything that’s going to happen, he only sees

The face of Marguerite, which is irresistible.

And wild, wild sings the bird.

sheer delight and gratitude

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Drea Art
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Invitation
by Mary Oliver

Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing

just to be alive
on this fresh morning
in the broken world.
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance.

It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.

time lies shattered

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Drea Art
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Blossom
by Mary Oliver

In April
the ponds open
like black blossoms,
the moon
swims in every one;
there’s fire
everywhere: frogs shouting
their desire,
their satisfaction. What
we know: that time
chops at us all like an iron
hoe, that death
is a state of paralysis. What
we long for: joy
before death, nights
in the swale – everything else
can wait but not
this thrust
from the root
of the body. What
we know: we are more
than blood – we are more
than our hunger and yet
we belong
to the moon and when the ponds
open, when the burning
begins the most
thoughtful among us dreams
of hurrying down
into the black petals
into the fire,
into the night where time lies shattered
into the body of another.