Author Archives: virtualartistaltar

the sunflowers

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Drea Art
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Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

on the beach

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Drea Art
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Bone
By Mary Oliver

1.

Understand, I am always trying to figure out
what the soul is,
and where hidden,
and what shape
and so, last week,
when I found on the beach
the ear bone
of a pilot whale that may have died
hundreds of years ago, I thought
maybe I was close
to discovering something
for the ear bone

2.

is the portion that lasts longest
in any of us, man or whale; shaped
like a squat spoon
with a pink scoop where
once, in the lively swimmer’s head,
it joined its two sisters
in the house of hearing,
it was only
two inches long
and thought: the soul
might be like this
so hard, so necessary

3.

yet almost nothing.
Beside me
the gray sea
was opening and shutting its wave-doors,
unfolding over and over
its time-ridiculing roar;
I looked but I couldn’t see anything
through its dark-knit glare;
yet don’t we all know, the golden sand
is there at the bottom,
though our eyes have never seen it,
nor can our hands ever catch it

4.

lest we would sift it down
into fractions, and facts
certainties
and what the soul is, also
I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.

touching me

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Drea Art
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At the River Clarion
by Mary Oliver

1.
I don’t know who God is exactly.
But I’ll tell you this.
I was sitting in the river named Clarion, on a water splashed stone
and all afternoon I listened to the voices of the river talking.
Whenever the water struck a stone it had something to say,
and the water itself, and even the mosses trailing under the water.
And slowly, very slowly, it became clear to me what they were saying.
Said the river I am part of holiness.
And I too, said the stone. And I too, whispered the moss beneath the water.

I’d been to the river before, a few times.
Don’t blame the river that nothing happened quickly.
You don’t hear such voices in an hour or a day.
You don’t hear them at all if selfhood has stuffed your ears.
And it’s difficult to hear anything anyway, through all the traffic, the ambition.

2.
If God exists he isn’t just butter and good luck.
He’s also the tick that killed my wonderful dog Luke.
Said the river: imagine everything you can imagine, then keep on going.

Imagine how the lily (who may also be a part of God) would sing to you if it could sing,
if you would pause to hear it.
And how are you so certain anyway that it doesn’t sing?

If God exists he isn’t just churches and mathematics.
He’s the forest, He’s the desert.
He’s the ice caps, that are dying.
He’s the ghetto and the Museum of Fine Arts.

He’s van Gogh and Allen Ginsberg and Robert Motherwell.
He’s the many desperate hands, cleaning and preparing their weapons.
He’s every one of us, potentially.
The leaf of grass, the genius, the politician, the poet.
And if this is true, isn’t it something very important?

Yes, it could be that I am a tiny piece of God, and each of you too, or at least
of his intention and his hope.
Which is a delight beyond measure.
I don’t know how you get to suspect such an idea.
I only know that the river kept singing.
It wasn’t a persuasion, it was all the river’s own constant joy
which was better by far than a lecture, which was comfortable, exciting, unforgettable.

3.
Of course for each of us, there is the daily life.
Let us live it, gesture by gesture.
When we cut the ripe melon, should we not give it thanks?
And should we not thank the knife also?
We do not live in a simple world.

4.
There was someone I loved who grew old and ill
One by one I watched the fires go out.
There was nothing I could do

except to remember
that we receive
then we give back.

5.
My dog Luke lies in a grave in the forest, she is given back.
But the river Clarion still flows from wherever it comes from
to where it has been told to go.
I pray for the desperate earth.
I pray for the desperate world.
I do the little each person can do, it isn’t much.
Sometimes the river murmurs, sometimes it raves.

6.
Along its shores were, may I say, very intense cardinal flowers.
And trees, and birds that have wings to uphold them, for heaven’s sakes–
the lucky ones: they have such deep natures,
they are so happily obedient.
While I sit here in a house filled with books,
ideas, doubts, hesitations.

7.
And still, pressed deep into my mind, the river
keeps coming, touching me, passing by on its
long journey, its pale, infallible voice
singing.

entirety of the world

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Drea Art
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The Poet Visits the Museum of Fine Arts
by Mary Oliver

For a long time
I was not even
in this world, yet
every summer

every rose
opened in perfect sweetness
and lived
in gracious repose,

in its own exotic fragrance,
in its huge willingness to give
something, from its small self,
to the entirety of the world.

I think of them, thousands upon thousands,
in many lands,
whenever summer came to them,
rising

out of the patience of patience,
to leaf and bud and look up
into the blue sky
or, with thanks,

into the rain
that would feed
their thirsty roots
latched into the earth—

sandy or hard, Vermont or Arabia,
what did it matter,
the answer was simply to rise
in joyfulness, all their days.

Have I found any better teaching?
Not ever, not yet.
Last week I saw my first Botticelli
and almost fainted,

and if I could I would paint like that
but am shelved somewhere below, with a few songs
about roses: teachers, also, of the ways
toward thanks, and praise.

good companion

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Drea Art
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Moon and Water
By Mary Oliver

I wake and spend
the last hours
of darkness
with no one

but the moon.
She listens
to my complaints
like the good

companion she is
and comforts me surely
with her light.
But she, like everyone,

has her own life.
So finally I understand
that she has turned away,
is no longer listening.

She wants me
to refold myself
into my own life.
And, bending close,

as we all dream of doing,
she rows with her white arms
through the dark water
which she adores.

pertained to everything

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Drea Art
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The Swan
By Mary Oliver

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air –
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music – like the rain pelting the trees – like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds –
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?

and the black bear

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Drea Art
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The Summer Day
By Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

stitch of lightning

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Drea Art
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Poem (the spirit likes to dress up)
By Mary Oliver

The spirit
likes to dress up like this:
ten fingers,
ten toes,

shoulders, and all the rest
at night
in the black branches,
in the morning

in the blue branches
of the world.
It could float, of course,
but would rather

plumb rough matter.
Airy and shapeless thing,
it needs
the metaphor of the body,

lime and appetite,
the oceanic fluids;
it needs the body’s world,
instinct

and imagination
and the dark hug of time,
sweetness
and tangibility,

to be understood,
to be more than pure light
that burns
where no one is —

so it enters us —
in the morning
shines from brute comfort
like a stitch of lightning;

and at night
lights up the deep and wondrous
drownings of the body
like a star.

empty-handed

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Drea Art
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The Sun
By Mary Oliver

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?

somewhere deep within you

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Drea Art
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Morning Poem
by Mary Oliver

Every morning
the world
is created.
Under the orange

sticks of the sun
the heaped
ashes of the night
turn into leaves again

and fasten themselves to the high branches—
and the ponds appear
like black cloth
on which are painted islands

of summer lilies.
If it is your nature
to be happy
you will swim away along the soft trails

for hours, your imagination
alighting everywhere.
And if your spirit
carries within it

the thorn
that is heavier than lead—
if it’s all you can do
to keep on trudging—

there is still
somewhere deep within you
a beast shouting that the earth
is exactly what it wanted—

each pond with its blazing lilies
is a prayer heard and answered
lavishly,
every morning,

whether or not
you have ever dared to be happy,
whether or not
you have ever dared to pray.