begin, again

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To Begin With, the Sweet Grass by Mary Oliver

1.
Will the hungry ox stand in the field and not eat of the sweet grass?
Will the owl bite off its own wings?
Will the lark forget to lift its body in the air or forget to sing?
Will the rivers run upstream?

Behold, I say–behold
the reliability and the finery and the teachings of this gritty earth gift.

2.
Eat bread and understand comfort.
Drink water, and understand delight.
Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds
who are drinking the sweetness, who are thrillingly gluttonous.

For one thing leads to another.
Soon you will notice how stones shine underfoot.
Eventually tides will be the only calendar you believe in.

And someone’s face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper:
oh, let me, for a while longer, enter the two
beautiful bodies of your lungs.

3.
The witchery of living
is my whole conversation
with you my darlings.
All I can tell you is what I know.

Look, and look again.
This world is not just a little thrill for the eyes.

It’s more than bones.
It’s more than the delicate wrist with its personal pulse.
It’s more than the beating of the single heart.
It’s praising.
It’s giving until the giving feels like receiving.
You have a life—just imagine that!
You have this day, and maybe another, and maybe still another.

4.
Someday I am going to ask my friend Paulus,
the dancer, the potter,
to make me a begging bowl
which I believe
my soul needs.

And if I come to you,
to the door of your comfortable house
with unwashed clothes and unclean fingernails,
will you put something into it?

I would like to take this chance.
I would like to give you this chance.

5.
We do one thing or another; we stay the same or we change.
Congratulations if you have changed.

6.
Let me ask you this.
Do you also think that beauty exists for some fabulous reason?

And if you have not been enchanted by this adventure—your life—
what would do for you?

7.
What I loved in the beginning, I think, was mostly myself.
Never mind that I had to, since somebody had to.
That was many years ago.
Since then I have gone out from my confinements, though with difficulty

I mean the ones that are thought to rule my heart.
I cast them out, I put them on the ush pile.
They will be nourishment somehow (everything is nourishment somehow or another).

And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.

And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world


vote

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Please vote!

Drea Art
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Of The Empire by Mary Oliver

We will be known as a culture that feared death
and adored power, that tried to vanquish insecurity
for the few and cared little for the penury of the
many. We will be known as a culture that taught
and rewarded the amassing of things, that spoke
little if at all about the quality of life for
people (other people), for dogs, for rivers. All
the world, in our eyes, they will say, was a
commodity. And they will say that this structure
was held together politically, which it was, and
they will say also that our politics was no more
than an apparatus to accommodate the feelings of
the heart, and that the heart, in those days,
was small, and hard, and full of meanness.


pay attention

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The Summer Day by Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?


have a cup of tea and rejoice

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Aubade has been chosen by a Cambridge professor as the cover art of his publication 🎨

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Wage Peace by Mary Oliver

Wage peace with your breath.
Breathe in firemen and rubble,
breathe out whole buildings and flocks of red wing blackbirds.
Breathe in terrorists and breathe out sleeping children and fresh mown
fields.

Breathe in confusion and breathe out maple trees.
Breathe in the fallen and breathe out lifelong friendships intact.
Wage peace with your listening: hearing sirens, pray loud.
Remember your tools: flower seeds, clothes pins, clean rivers.
Make soup.

Play music, learn the word for thank you in three languages.
Learn to knit, and make a hat.
Think of chaos as dancing raspberries,
imagine grief as the outbreath of beauty or the gesture of fish.
Swim for the other side.
Wage peace.

Never has the world seemed so fresh and precious.
Have a cup of tea and rejoice.
Act as if armistice has already arrived.
Don’t wait another minute.


expressive of mirth

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Invitation by Mary Oliver

Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude—
believe us, they say,
it is a serious thing

just to be alive
on this fresh morning
in the broken world.
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance.

It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.


grow wise

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Drea Art
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Mindful by Mary Oliver

Every day
I see or hear
something
that more or less


kills me
with delight,
that leaves me
like a needle


in the haystack
of light.
It was what I was born for –
to look, to listen,


to lose myself
inside this soft world –
to instruct myself
over and over


in joy,
and acclamation.
Nor am I talking
about the exceptional,


the fearful, the dreadful,
the very extravagant –
but of the ordinary,
the common, the very drab,


the daily presentations.
Oh, good scholar,
I say to myself,
how can you help


but grow wise
with such teachings
as these –
the untrimmable light


of the world,
the ocean’s shine,
the prayers that are made
out of grass?


drifting

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Swan by Mary Oliver

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air –an armful of white blossoms,
a perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
biting the air with its black beak?
Did you hear it, fluting and whistling
a shrill dark music, like the rain pelting the trees like a waterfall
knifing down the black ledges?
And did you see it, finally, just under the clouds –
a white cross streaming across the sky, its feet
like black leaves, its wings like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?


everything lost is found

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Drea Art
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Honey At The Table by Mary Oliver

It fills you with the soft
essence of vanished flowers, it becomes
a trickle sharp as a hair that you follow
from the honey pot over the table

and out the door and over the ground,
and all the while it thickens,

grows deeper and wilder, edged
with pine boughs and wet boulders,
pawprints of bobcat and bear, until

deep in the forest you
shuffle up some tree, you rip the bark,

you float into and swallow the dripping combs,
bits of the tree, crushed bees ~ a taste
composed of everything lost, in which everything lost is found.


goodness and discernment

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Drea Art
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When I am Among the Trees by Mary Oliver

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.

I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.

Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.

And they call again, “It's simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”


everyday

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Wouldn’t have made it this far without her 💕🎨🦋
Happy birthday to Grandma Pearl!
She was an artist who worked in a gallery, loved growing flowers, and took care of her grandchildren.

Drea Art
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Mindful by Mary Oliver

Everyday
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for —
to look, to listen,

to lose myself
inside this soft world —
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these —
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?