Paintings by Drea

The Fourth Sign of the Zodiac
by Mary Oliver

1.
Why should I have been surprised?
Hunters walk the forest
without a sound.
The hunter, strapped to his rifle,
the fox on his feet of silk,
the serpent on his empire of muscles—
all move in a stillness,
hungry, careful, intent.
Just as the cancer
entered the forest of my body,
without a sound.

2.
The question is,
what will it be like
after the last day?
Will I float
into the sky
or will I fray
within the earth or a river—
remembering nothing?
How desperate I would be
if I couldn’t remember
the sun rising, if I couldn’t
remember trees, rivers; if I couldn’t
even remember, beloved,
your beloved name.

3.
I know, you never intended to be in this world.
But you’re in it all the same.

so why not get started immediately.

I mean, belonging to it.
There is so much to admire, to weep over.

And to write music or poems about.

Bless the feet that take you to and fro.
Bless the eyes and the listening ears.
Bless the tongue, the marvel of taste.
Bless touching.

You could live a hundred years, it’s happened.
Or not.
I am speaking from the fortunate platform
of many years,
none of which, I think, I ever wasted.
Do you need a prod?
Do you need a little darkness to get you going?
Let me be urgent as a knife, then,
and remind you of Keats,
so single of purpose and thinking, for a while,
he had a lifetime.

4.
Late yesterday afternoon, in the heat,
all the fragile blue flowers in bloom
in the shrubs in the yard next door had
tumbled from the shrubs and lay
wrinkled and fading in the grass. But
this morning the shrubs were full of
the blue flowers again. There wasn’t
a single one on the grass. How, I
wondered, did they roll back up to
the branches, that fiercely wanting,
as we all do, just a little more of
life?

Paintings by Drea

Honey At The Table
By Mary Oliver

It fills you with the soft
essence of vanished flowers, it becomes
a trickle sharp as a hair that you follow
from the honey pot over the table

and out the door and over the ground,
and all the while it thickens,

grows deeper and wilder, edged
with pine boughs and wet boulders,
pawprints of bobcat and bear, until

deep in the forest you
shuffle up some tree, you rip the bark,

you float into and swallow the dripping combs,
bits of the tree, crushed bees – – – a taste
composed of everything lost, in which everything lost is found.

Paintings by Drea

Gratitude
by Mary Oliver

What did you notice?
The dew snail;
the low-flying sparrow;
the bat, on the wind, in the dark;
big-chested geese, in the V of sleekest performance;
the soft toad, patient in the hot sand;
the sweet-hungry ants;
the uproar of mice in the empty house;
the tin music of the cricket’s body;
the blouse of the goldenrod.
What did you hear?
The thrush greeting the morning;
the little bluebirds in their hot box;
the salty talk of the wren,
then the deep cup of the hour of silence.
What did you admire?
The oaks, letting down their dark and hairy fruit;
the carrot, rising in its elongated waist;
the onion, sheet after sheet, curved inward to the
pale green wand;
at the end of summer the brassy dust, the almost liquid
beauty of the flowers;
then the ferns, scrawned black by the frost.
What astonished you?
The swallows making their dip and turn over the water.
What would you like to see again?
My dog: her energy and exuberance, her willingness,
her language beyond all nimbleness of tongue, her
recklessness, her loyalty, her sweetness, her
sturdy legs, her curled black lip, her snap.
What was most tender?
Queen Anne’s lace, with its parsnip root;
the everlasting in its bonnets of wool;
the kinks and turns of the tupelo’s body;
the tall, blank banks of sand;
the clam, clamped down.
What was most wonderful?
The sea, and its wide shoulders;
the sea and its triangles;
the sea lying back on its long athlete’s spine.
What did you think was happening?
The green breast of the hummingbird;
the eye of the pond;
the wet face of the lily;
the bright, puckered knee of the broken oak;
the red tulip of the fox’s mouth;
the up-swing, the down-pour, the frayed sleeve
of the first snow—
so the gods shake us from our sleep.

amazing artists

Fall Song
By Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries – roots and sealed seeds
and the wanderings of water. This

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

Novelty 2015 by Drea
http://dreajensengallery.artistwebsites.com/featured/novelty-2015-drea-jensen.html

Mysteries, Yes
by Mary Oliver

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
“Look!” and laugh in astonishment,
and bow their heads.

Paintings by Drea

That Tall Distance
By Mary Oliver

That tall distance where
the clouds begin,
the forge that pounds out the lightning
and the black porch where the stars
are dressed in light
and arrangement is made for the moon’s path—
it’s these I think of now, after

a lifetime of goldfinches,
meandering streams,
lambs playing,
the passionate hands of the sun,
the coolness under the trees
talking leaf to leaf,
the foxes and the otters sliding on the snow,
the dolphins for whom no doubt
the seas were created,
the spray of swallows gathering in autumn—
after all of that
the tall distance is what I think of now.

Paintings by Drea

Cobb Creek
By Mary Oliver

It’s morning at the creek-edge
and the question is:
Shall I jump as usual and enjoy,
as I have hundreds of times,
the casual down-thrust of my legs
on the other side?

Certain facts are unavoidable, still
something in me
refuses to abdicate.

I don’t spend much time on it.
I jump
and for the first time in my seventy-seven years
I fall in.

What a beautiful splash!

Paintings by Drea

That Little Beast
By Mary Oliver

That pretty little beast, a poem,
has a mind of its own.
Sometimes I want it to crave apples
but it wants red meat.
Sometimes I want to walk peacefully
on the shore
and it wants to take off all its clothes
and dive in.

Sometimes I want to use small words
and make them important
and it starts shouting the dictionary,
the opportunities.

Sometimes I want to sum up and give thanks,
putting things in order
and it starts dancing around the room
on its four furry legs, laughing
and calling me outrageous.

But sometimes, when I’m thinking about you,
and no doubt smiling,
it sits down quietly, one paw under its chin,
and just listens.

Good Fortune 2015 by Drea
http://dreajensengallery.artistwebsites.com/featured/good-fortune-2015-drea-jensen.html

The Pond
By Mary Oliver

August of another summer, and once again
I am drinking the sun
and the lilies again are spread across the water.
I know now what they want is to touch each other.
I have not been here for many years
during which time I kept living my life.
Like the heron, who can only croak, who wishes he
could sing,
I wish I could sing.
A little thanks from every throat would be appropriate.
This is how it has been, and this is how it is:
All my life I have been able to feel happiness,
except whatever was not happiness,
which I also remember.
Each of us wears a shadow.
But just now it is summer again
and I am watching the lilies bow to each other,
then slide on the wind and the tug of desire,
close, close to one another.
Soon now, I’ll turn and start for home.
And who knows, maybe I’ll be singing.