Monthly Archives: October 2019

precedence

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Drea Art
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A Pretty Song
by Mary Oliver

From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to love, isn’t it?

This isn’t a playground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods

that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers, type me a pretty song.
And I say to my heart: rave on.

entrance to a cave

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Drea Art
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October
By Mary Oliver

There’s this shape, black as the entrance to a cave.
A longing wells up in its throat
like a blossom
as it breathes slowly.

What does the world
mean to you if you can’t trust it
to go on shining when you’re
not there? and there’s
a tree, long-fallen; once
the bees flew to it, like a procession
of messengers, and filled it
with honey.

I said to the chickadee, singing his heart out in the
green pine tree:
little dazzler
little song,
little mouthful.

The shape climbs up out of the curled grass. It
grunts into view. There is no measure
for the confidence at the bottom of its eyes-
there is no telling
the suppleness of its shoulders as it turns
and yawns.
Near the fallen tree
something- a leaf snapped loose
from the branch and fluttering down- tries to pull me
into its trap of attention.
It pulls me
into its trap of attention,
And when I turn again, the bear is gone.

Look, hasn’t my body already felt
like the body of a flower?
Look, I want to love this world
as though it’s the last chance I’m ever going to get
to be alive
and know it.

Sometimes in late summer I won’t touch anything, not
the flowers, not the blackberries
brimming in the thickets; I won’t drink
from the pond; I won’t name the birds or the trees;
I won’t whisper my own name.

One morning
the fox came down the hill, glittering and confident,
and didn’t see me- and I thought:
so this is the world.
I’m not in it.
It is beautiful.

adored every blossom

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Drea Art
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LUKE
By Mary Oliver

I had a dog
who loved flowers.
Briskly she went
through the fields,

yet paused
for the honeysuckle
or the rose,
her dark head

and her wet nose
touching
the face
of every one

with its petals
of silk,
with its fragrance
rising

into the air
where the bees,
their bodies
heavy with pollen,

hovered—
and easily
she adored
every blossom,

not in the serious,
careful way
that we choose
this blossom or that blossom—

the way we praise or don’t praise—
the way we love
or don’t love—
but the way

we long to be—
that happy
in the heaven of earth—
that wild, that loving.

patience and happiness

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Drea Art
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Can You imagine?
by Mary Oliver

Can You Imagine?
For example, what the trees do
not only in lightening storms
or the watery dark of a summer’s night
or under the white nets of winter
but now, and now, and now – whenever
we’re not looking. Surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade – surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

mostly rejoicing

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Drea Art
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My Work is Loving the World
By Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird –
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young and still not half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all ingredients are here,

Which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.