Drea Art
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Goldfinches
By Mary Oliver

In the fields
we let them have-
in the fields
we don’t want yet-

where thistles rise
out of the marshlands of spring, and spring open-
each bud
a settlement of riches-

a coin of reddish fire-
the finches
wait for midsummer,
for the long days,

for the brass heat,
for the seeds to begin to form in the hardening thistles,
dazzling as the teeth of mice,
but black,

filling the face of every flower.
Then they drop from the sky.
A buttery gold,
they swing on the thistles, they gather

the silvery down, they carry it
in their finchy beaks
to the edges of the fields,
to the trees,

as though their minds were on fire
with the flower of one perfect idea-
and there they build their nests
and lay their pale-blue eggs,

every year,
and every year
the hatchlings wake in the swaying branches,
in the silver baskets,

and love the world.
Is it necessary to say any more?
Have you heard them singing in the wind, above the final fields?
Have you ever been so happy in your life?

Drea Art
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Spring
by Mary Oliver

Somewhere
a black bear
has just risen from sleep
and is staring

down the mountain.
All night
in the brisk and shallow restlessness
of early spring

I think of her,
her four black fists
flicking the gravel,
her tongue

like a red fire
touching the grass,
the cold water.
There is only one question:

how to love this world.
I think of her
rising
like a black and leafy ledge

to sharpen her claws against
the silence
of the trees.
Whatever else

my life is
with its poems
and its music
and its glass cities,

it is also this dazzling darkness
coming
down the mountain,
breathing and tasting;

all day I think of her—
her white teeth,
her wordlessness,
her perfect love.

Drea Art
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That Tall Distance
By Mary Oliver

That tall distance where
the clouds begin,
the forge that pounds out the lightning
and the black porch where the stars
are dressed in light
and arrangement is made for the moon’s path-
it’s these I think of now, after

a lifetime of goldfinches,
meandering streams,
lambs playing,
the passionate hands of the sun,
the coolness under the trees
talking leaf to leaf,
the foxes and the otters sliding on the snow,
the dolphins for whom no doubt
the seas were created,
the spray of swallows gathering in autumn-
after all of that
the tall distance is what I think of now.

Drea Art
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My Work is Loving the World
By Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird –
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young and still not half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all ingredients are here,

Which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.