Monthly Archives: August 2018

moan in happiness

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Drea Art
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Hum
by Mary Oliver

What is this dark hum among the roses?
The bees have gone simple, sipping,
that’s all. What did you expect? Sophistication?
They’re small creatures and they are
filling their bodies with sweetness, how could they not
moan in happiness? The little
worker bee lives, I have read, about three weeks.
Is that long? Long enough, I suppose, to understand
that life is a blessing. I have found them — haven’t you? —
stopped in the very cups of the flowers, their wings
a little tattered — so much flying about, to the hive,
then out into the world, then back, and perhaps dancing,
should the task be to be a scout-sweet, dancing bee.
I think there isn’t anything in this world I don’t
admire. If there is, I don’t know what it is. I
haven’t met it yet. Nor expect to. The bee is small,
and since I wear glasses, so I can see the traffic and
read books, I have to
take them off and bend close to study and
understand what is happening. It’s not hard, it’s in fact
as instructive as anything I have ever studied. Plus, too,
it’s love almost too fierce to endure, the bee
nuzzling like that into the blouse
of the rose. And the fragrance, and the honey, and of course
the sun, the purely pure sun, shining, all the while, over
all of us.

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beatific lives

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Drea Art
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I KNOW SOMEONE
By Mary Oliver

I know someone who kisses the way
a flower opens, but more rapidly.
Flowers are sweet. They have
short, beatific lives. They offer
much pleasure. There is
nothing in the world that can be said
against them.
Sad, isn’t it, that all they can kiss
is the air.

Yes, yes! We are the lucky ones.

lilies of Monet

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Drea Art
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Early Morning, My Birthday
by Mary Oliver

The snails on the pink sleds of their bodies are moving
among the morning glories.
The spider is asleep among the red thumbs
of the raspberries.
What shall I do, what shall I do?

The rain is slow
The little birds are alive in it.
Even the beetles.
The green leaves lap it up.
What shall I do, what shall I do?

The wasp sits on the porch in her paper castle.
The blue heron floats out of the clouds.
The fish leaps, all rainbow and mouth, from the dark water.

This morning the water lilies are no less lovely, I think,
than the lilies of Monet.
And I do not want anymore to be useful, to be docile, to lead
children out of the fields into the text
of civility, to teach them that they are (they are not) better
than the grass.

light as moths

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Drea Art
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Sleeping in the Forest
By Mary Oliver

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

around the bone

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Drea Art
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At Black River
By Mary Oliver

All day
its dark, slick bronze soaks
in a mossy place,
its teeth,

a multitude
set
for the comedy
that never comes–

its tail
knobbed and shiny,
and with a heavyweight’s punch
packed around the bone.

In beautuiful Florida
he is king
of his own part
of the black river,

and from his nap
he will wake
into the warm darkness
to boom, and thrust forward,

paralyzing
the swift, thin-waisted fish,
or the bird
in its frilled, white gown,

that has dipped down
from the heaven of leaves
one last time,
to drink.

Don’t think
I’m not afraid.
There is such an unleashing
of horror.

Then I remember:
death comes before
the rolling away
of the stone.

buds of dreams

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Drea Art
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Dreams
By Mary Oliver

All night
the dark buds of dreams
open
richly.

In the center
of every petal
is a letter,
and you imagine

if you could only remember
and string them all together
they would spell the answer.
It is a long night,

and not an easy one—-
you have so many branches,
and there are diversions—-
birds that come and go,

the black fox that lies down
to sleep beneath you,
the moon staring
with her bone-white eye.

Finally you have spent
all the energy you can
and you drag from the ground
the muddy skirt of your roots

and leap awake
with two or three syllables
like water in your mouth
and a sense

of loss—-a memory
not yet of a word,
certainly not yet the answer—-
only how it feels

when deep in the tree
all the locks click open,
and the fire surges through the wood,
and the blossoms blossom.