Monthly Archives: December 2018

tops of the trees

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Drea Art
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White-Eyes
By Mary Oliver

In winter
all the singing is in
the tops of the trees
where the wind-bird

with its white eyes
shoves and pushes
among the branches.
Like any of us

he wants to go to sleep,
but he’s restless—
he has an idea,
and slowly it unfolds

from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.

So, it’s over.
In the pine-crown
he makes his nest,
he’s done all he can.

I don’t know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—

which he has summoned
from the north—
which he has taught
to be mild, and silent—

thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird

that loves us,
that is asleep now, and silent—
that has turned itself
into snow.

intention and hope

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Drea Art
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At the River Clarion
by Mary Oliver

1.

I don’t know who God is exactly.
But I’ll tell you this.
I was sitting in the river named Clarion, on a water splashed stone
and all afternoon I listened to the voices of the river talking.
Whenever the water struck a stone it had something to say,
and the water itself, and even the mosses trailing under the water.
And slowly, very slowly, it became clear to me what they were saying.
Said the river I am part of holiness.
And I too, said the stone. And I too, whispered the moss beneath the water.

I’d been to the river before, a few times.
Don’t blame the river that nothing happened quickly.
You don’t hear such voices in an hour or a day.
You don’t hear them at all if selfhood has stuffed your ears.
And it’s difficult to hear anything anyway, through all the traffic, the ambition.

2.

If God exists he isn’t just butter and good luck.
He’s also the tick that killed my wonderful dog Luke.
Said the river: imagine everything you can imagine, then keep on going.

Imagine how the lily (who may also be a part of God) would sing to you if it could sing,
if you would pause to hear it.
And how are you so certain anyway that it doesn’t sing?

If God exists he isn’t just churches and mathematics.
He’s the forest, He’s the desert.
He’s the ice caps, that are dying.
He’s the ghetto and the Museum of Fine Arts.

He’s van Gogh and Allen Ginsberg and Robert Motherwell.
He’s the many desperate hands, cleaning and preparing their weapons.
He’s every one of us, potentially.
The leaf of grass, the genius, the politician, the poet.
And if this is true, isn’t it something very important?

Yes, it could be that I am a tiny piece of God, and each of you too, or at least
of his intention and his hope.
Which is a delight beyond measure.
I don’t know how you get to suspect such an idea.
I only know that the river kept singing.
It wasn’t a persuasion, it was all the river’s own constant joy
which was better by far than a lecture, which was comfortable, exciting, unforgettable.

3.

Of course for each of us, there is the daily life.
Let us live it, gesture by gesture.
When we cut the ripe melon, should we not give it thanks?
And should we not thank the knife also?
We do not live in a simple world.

4.

There was someone I loved who grew old and ill
One by one I watched the fires go out.
There was nothing I could do

except to remember
that we receive
then we give back.

5.

My dog Luke lies in a grave in the forest, she is given back.
But the river Clarion still flows from wherever it comes from
to where it has been told to go.
I pray for the desperate earth.
I pray for the desperate world.
I do the little each person can do, it isn’t much.
Sometimes the river murmurs, sometimes it raves.

6.

Along its shores were, may I say, very intense cardinal flowers.
And trees, and birds that have wings to uphold them, for heaven’s sakes–
the lucky ones: they have such deep natures,
they are so happily obedient.
While I sit here in a house filled with books,
ideas, doubts, hesitations.

7.

And still, pressed deep into my mind, the river
keeps coming, touching me, passing by on its
long journey, its pale, infallible voice
singing.

briskly modestly

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Drea Art
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Forty Years
by Mary Oliver

for forty years
the sheets of white paper have
passed under my hands and I have tried
    to improve their peaceful

emptiness putting down
little curls little shafts
of letters words
    little flames leaping

not one page
was less to me than fascinating
discursive full of cadence
    its pale nerves hiding

in the curves of the Qs
behind the soldierly Hs
in the webbed feet of the Ws
    forty years

and again this morning as always
I am stopped as the world comes back
wet and beautiful I am thinking
    that language

is not even a river
is not a tree is not a green field
is not even a black ant traveling
    briskly modestly

from day to day from one
golden page to another.