Can You Imagine?
by Mary Oliver

For example, what the trees do
not only in lightning storms
or the watery dark of a summer’s night
or under the white nets of winter
but now, and now, and now – whenever
we’re not looking. Surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade – surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

Leaves and Blossoms Along the Way
by Mary Oliver

If you’re John Muir you want trees to
live among. If you’re Emily, a garden
will do.
Try to find the right place for yourself.
If you can’t find it, at least dream of it.

•

When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.

Anything that touches.

•

God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.

•

Some words will never leave God’s mouth,
no matter how hard you listen.

•

In all the works of Beethoven, you will
not find a single lie.

•

All important ideas must include the trees,
the mountains, and the rivers.

•

To understand many things you must reach out
of your own condition.

•

For how many years did I wander slowly
through the forest. What wonder and
glory I would have missed had I ever been
in a hurry!

•

Beauty can both shout and whisper, and still
it explains nothing.

•

The point is, you’re you, and that’s for keeps.

Fall Song
by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries – – -roots and sealed seeds
and the wanderings of water. This

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – – – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars. ~ Mary Oliver

There is a Place Beyond Ambition
by Mary Oliver

When the flute players
couldn’t think of what to say next

they laid down their pipes,
then they lay down themselves
beside the river

and just listened.
Some of them, after a while,
jumped up
and disappeared back inside the busy town.
But the rest–
so quiet, not even thoughtful–
are still there,

still listening.

Mindful
by Mary Oliver

Every Day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It is what I was born for—
to look, to listen,

to lose myself
inside this soft world—
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant—
but of the ordinary,
the common, the very drab

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these—
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?

Evidence
By Mary Oliver

I.

Where do I live? If I had no address, as many people
do not, I could nevertheless say that I lived in the
same town as the lilies of the field, and the still
waters.

Spring, and all through the neighborhood now there are
strong men tending flowers.

Beauty without purpose is beauty without virtue. But
all beautiful things, inherently, have this function –
to excite the viewers toward sublime thought. Glory
to the world, that good teacher.

Among the swans there is none called the least, or
the greatest.

I believe in kindness. Also in mischief. Also in
singing, especially when singing is not necessarily
prescribed.

As for the body, it is solid and strong and curious
and full of detail; it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue.

Keep some room in your heart for the unimaginable.

2.

There are many ways to perish, or to flourish.

How old pain, for example, can stall us at the threshold of function….

Still friends, consider stone, that is without the fret of gravity, and water that is without anxiety.

And the pine trees that never forget their recipe for renewal.

And the female wood duck who is looking this way and that way for her children. And the snapping turtle who is looking this way and that way also. This is the world.

And consider, always, every day, the determination of the grass to grow despite the unending obstacles.

3.

I ask you again: if you have not been enchanted by this adventure–your life–what would do for you?

And, where are you, with your ears bagged down as if with packets of sand? Listen. We all have much more listening to do. Tear the sand away. And listen. The river is singing. …

For myself, I have walked in these woods for
More than forty years, and I am the only
thing, it seems, that is about to be used up.
Or, to be less extravagant, will, in the
Foreseeable future, be used up.

First, though, I want to step out into some
fresh morning and look around and hear myself
crying out: “The house of money is falling! The house of money is falling! The weeds are rising! The weeds are rising!”

The Waterfall
by Mary Oliver

For all the said,
I could not see the waterfall
until I came and saw the water falling,
its lace legs and its womanly arms sheeting down,

while something howled like thunder,
over the rocks,
all day and all night –
unspooling

like ribbons made of snow,
or god’s white hair.
At any distance
it fell without a break or seam, and slowly, a simple

preponderance –
a fall of flowers – and truly it seemed
surprised by the unexpected kindness of the air and
light-hearted to be

flying at last.
Gravity is a fact everybody
knows about.
It is always underfoot,

like a summons,
gravel-backed and mossy,
in every beetled basin –
and imagination –

that striver,
that third eye –
can do a lot but
hardly everything. The white, scrolled

wings of the tumbling water
I never could have
imagined. And maybe there will be,
after all,

some slack and perfectly balanced
blind and rough peace, finally,
in the deep and green and utterly motionless pools after all that
falling?

Flare
by Mary Oliver

1.

Welcome to the silly, comforting poem.

It is not the sunrise,
which is a red rinse,
which is flaring all over the eastern sky;

it is not the rain falling out of the purse of God;

it is not the blue helmet of the sky afterward,

or the trees, or the beetle burrowing into the earth;

it is not the mockingbird who, in his own cadence,
will go on sizzling and clapping
from the branches of the catalpa that are thick with blossoms,
that are billowing and shining,
that are shaking in the wind.

2.

You still recall, sometimes, the old barn on your
great-grandfather’s farm, a place you visited once,
and went into, all alone, while the grownups sat and
talked in the house.
It was empty, or almost. Wisps of hay covered the floor,
and some wasps sang at the windows, and maybe there was
a strange fluttering bird high above, disturbed, hoo-ing
a little and staring down from a messy ledge with wild,
binocular eyes.
Mostly, though, it smelled of milk, and the patience of
animals; the give-offs of the body were still in the air,
a vague ammonia, not unpleasant.
Mostly, though, it was restful and secret, the roof high
up and arched, the boards unpainted and plain.
You could have stayed there forever, a small child in a corner,
on the last raft of hay, dazzled by so much space that seemed
empty, but wasn’t.
Then–you still remember–you felt the rap of hunger–it was
noon–and you turned from that twilight dream and hurried back
to the house, where the table was set, where an uncle patted you
on the shoulder for welcome, and there was your place at the table.

3.

Nothing lasts.
There is a graveyard where everything I am talking about is,
now.

I stood there once, on the green grass, scattering flowers.

4.

Nothing is so delicate or so finely hinged as the wings
of the green moth
against the lantern
against its heat
against the beak of the crow
in the early morning.

Yet the moth has trim, and feistiness, and not a drop
of self-pity.

Not in this world.

5.

My mother
was the blue wisteria,
my mother
was the mossy stream out behind the house,
my mother, alas, alas,
did not always love her life,
heavier than iron it was
as she carried it in her arms, from room to room,
oh, unforgettable!

I bury her
in a box
in the earth
and turn away.
My father
was a demon of frustrated dreams,
was a breaker of trust,
was a poor, thin boy with bad luck.
He followed God, there being no one else
he could talk to;
he swaggered before God, there being no one else
who would listen.
Listen,
this was his life.
I bury it in the earth.
I sweep the closets.
I leave the house.

6.

I mention them now,
I will not mention them again.

It is not lack of love
nor lack of sorrow.
But the iron thing they carried, I will not carry.

I give them–one, two, three, four–the kiss of courtesy,
of sweet thanks,
of anger, of good luck in the deep earth.
May they sleep well. May they soften.

But I will not give them the kiss of complicity.
I will not give them the responsibility for my life.

7.

Did you know that the ant has a tongue
with which to gather in all that it can
of sweetness?

Did you know that?

8.

The poem is not the world.
It isn’t even the first page of the world.

But the poem wants to flower, like a flower.
It knows that much.

It wants to open itself,
like the door of a little temple,
so that you might step inside and be cooled and refreshed,
and less yourself than part of everything.

9.

The voice of the child crying out of the mouth of the
grown woman
is a misery and a disappointment.
The voice of the child howling out of the tall, bearded,
muscular man
is a misery, and a terror.

10.

Therefore, tell me:
what will engage you?
What will open the dark fields of your mind,
like a lover
at first touching?

11.

Anyway,
there was no barn.
No child in the barn.

No uncle no table no kitchen.

Only a long lovely field full of bobolinks.

12.

When loneliness comes stalking, go into the fields, consider
the orderliness of the world. Notice
something you have never noticed before,

like the tambourine sound of the snow-cricket
whose pale green body is no longer than your thumb.

Stare hard at the hummingbird, in the summer rain,
shaking the water-sparks from its wings.

Let grief be your sister, she will whether or no.
Rise up from the stump of sorrow, and be green also,
like the diligent leaves.

A lifetime isn’t long enough for the beauty of this world
and the responsibilities of your life.

Scatter your flowers over the graves, and walk away.
Be good-natured and untidy in your exuberance.

In the glare of your mind, be modest.
And beholden to what is tactile, and thrilling.

Live with the beetle, and the wind.

This is the dark bread of the poem.
This is the dark and nourishing bread of the poem.