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White-Eyes by Mary Oliver

In winter
all the singing is in
the tops of the trees
where the wind-bird

with its white eyes
shoves and pushes
among the branches.
Like any of us

he wants to go to sleep,
but he’s restless—
he has an idea,
and slowly it unfolds

from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.

So, it’s over.
In the pine-crown
he makes his nest,
he’s done all he can.

I don’t know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—

which he has summoned
from the north—
which he has taught
to be mild, and silent—

thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird

that loves us,
that is asleep now, and silent—
that has turned itself
into snow.

Drea Art
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Song for Autumn by Mary Oliver

In the deep fall
don’t you imagine the leaves think how
comfortable it will be to touch
the earth instead of the
nothingness of air and the endless
freshets of wind? And don’t you think
the trees themselves, especially those with mossy,
warm caves, begin to think
of the birds that will come – six, a dozen – to sleep
inside their bodies? And don’t you hear
the goldenrod whispering goodbye,
the everlasting being crowned with the first
tuffets of snow? The pond
vanishes, and the white field over which
the fox runs so quickly brings out
its blue shadows. And the wind pumps its
bellows. And at evening especially,
the piled firewood shifts a little,
longing to be on its way.

Drea Art
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On Traveling to Beautiful Places by Mary Oliver

Every day I’m still looking for God
and I’m still finding him everywhere,
in the dust, in the flowerbeds.
Certainly in the oceans,
In the islands that lay in the distance
Continents of ice, countries of sand
Each with its own set of creatures
And God, by whatever name.
How perfect to be aboard a ship with
Maybe a hundred years still in my pocket.
But it’s late, for all of us,
And in truth the only ship there is
Is the ship we are all on
Burning the world as we go.

Drea Art
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“You can have the other words-chance, luck, coincidence, serendipity. I’ll take grace. I don’t know what it is exactly, but I’ll take it.”
― Mary Oliver

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The Moth, The Mountains, The Rivers by Mary Oliver

Who can guess the luna’s sadness who lives so briefly? Who can guess the impatience of stone longing to be ground down, to be part again of something livelier?

Who can imagine in what heaviness the rivers remember their original clarity?

Strange questions, yet I have spent worthwhile time with them.

And I suggest them to you also, that your spirit grow in curiosity, that your life be richer than it is,

that you bow to the earth as you feel how it actually is,

that we—so clever, and

ambitious, and selfish, and unrestrained—

are only one design of the moving, the vivacious many.

Drea Art
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Dogfish by Mary Oliver

Some kind of relaxed and beautiful thing

kept flickering in with the tide

and looking around.

Black as a fisherman’s boot,

with a white belly.

If you asked for a picture I would have to draw a smile

under the perfectly round eyes and above the chin,

which was rough

as a thousand sharpened nails.

And you know

what a smile means,

don’t you?

I wanted

the past to go away, I wanted

to leave it, like another country; I wanted

my life to close, and open

like a hinge, like a wing, like the part of the song

where it falls

down over the rocks: an explosion, a discovery;

I wanted

to hurry into the work of my life; I wanted to know,

whoever I was, I was

alive

for a little while.

It was evening, and no longer summer.

Three small fish, I don’t know what they were,

huddled in the highest ripples

as it came swimming in again, effortless, the whole body

one gesture, one black sleeve

that could fit easily around

the bodies of three small fish.

Also I wanted

to be able to love. And we all know

how that one goes,

don’t we?

Slowly

the dogfish tore open the soft basins of water.

You don’t want to hear the story

of my life, and anyway

I don’t want to tell it, I want to listen

to the enormous waterfalls of the sun.

And anyway it’s the same old story – – –

a few people just trying,

one way or another,

to survive.

Mostly, I want to be kind.

And nobody, of course, is kind,

or mean,

for a simple reason.

And nobody gets out of it, having to

swim through the fires to stay in

this world.

And look! look! look! I think those little fish

better wake up and dash themselves away

from the hopeless future that is

bulging toward them.

And probably,

if they don’t waste time

looking for an easier world,

they can do it.

Drea Art
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Don’t Hesitate by Mary Oliver

If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still, life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often the case.
Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.

Drea Art
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Luna by Mary Oliver

In the early curtains
of the dusk
it flew,
a slow galloping

this way and that way
through the trees
and under the trees.
I live

in the open mindedness
of not knowing enough
about anything.
It was beautiful.

It was silent.
It didn’t even have a mouth.
But it wanted something,
it had a purpose

and a few precious hours
to find it,
and I suppose it did.
The next evening

it lay on the ground
like a broken leaf
and didn’t move,
which hurt my heart

which is another small thing
that doesn’t know much.
When this happened it was about
the middle of summer,

which also has its purposes
and only so many precious hours.
How quietly,
and not with any assignment from us,

or even a small hint
of understanding,
everything that needs to be done
is done.

“Amenity” 2023 by Drea

https://dreajensengallery.pixels.com/featured/amenity-2023-drea-jensen.html

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The Summer Day by Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

Drea Art
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White Flowers by Mary Oliver

Last night

in the fields

I lay down in the darkness

to think about death,

but instead I fell asleep,

as if in a vast and sloping room

filled with those white flowers

that open all summer,

sticky and untidy,

in the warm fields.

When I woke

the morning light was just slipping

in front of the stars,

and I was covered

with blossoms.

I don’t know

how it happened—

I don’t know

if my body went diving down

under the sugary vines

in some sleep-sharpened affinity

with the depths, or whether

that green energy

rose like a wave

and curled over me, claiming me

in its husky arms.

I pushed them away, but I didn’t rise.

Never in my life had I felt so plush,

or so slippery,

or so resplendently empty.

Never in my life

had I felt myself so near

that porous line

where my own body was done with

and the roots and the stems and the flowers

began.