Author Archives: virtualartistaltar

wait for midsummer

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Goldfinches
by Mary Oliver

In the fields
we let them have-
in the fields
we don’t want yet-

where thistles rise
out of the marshlands of spring, and spring open-
each bud
a settlement of riches-

a coin of reddish fire-
the finches
wait for midsummer,
for the long days,

for the brass heat,
for the seeds to begin to form in the hardening thistles,
dazzling as the teeth of mice,
but black,

filling the face of every flower.
Then they drop from the sky.
A buttery gold,
they swing on the thistles, they gather

the silvery down, they carry it
in their finchy beaks
to the edges of the fields,
to the trees,

as though their minds were on fire
with the flower of one perfect idea-
and there they build their nests
and lay their pale-blue eggs,

every year,
and every year
the hatchlings wake in the swaying branches,
in the silver baskets,

and love the world.
Is it necessary to say any more?
Have you heard them singing in the wind, above the final fields?
Have you ever been so happy in your life?

fervent and necessary

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Sometimes
by Mary Oliver

1.

Something came up
out of the dark.
It wasn’t anything I had ever seen before.
It wasn’t an animal
or a flower,
unless it was both.

Something came up out of the water,
a head the size of a cat
but muddy and without ears.
I don’t know what God is.
I don’t know what death is.

But I believe they have between them
some fervent and necessary arrangement.

2.

Sometime
melancholy leaves me breathless…

3.

Water from the heavens! Electricity from the source!
Both of them mad to create something!

The lighting brighter than any flower.
The thunder without a drowsy bone in its body.

4.

Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.

5.
Two or three times in my life I discovered love.
Each time it seemed to solve everything.
Each time it solved a great many things
but not everything.
Yet left me as grateful as if it had indeed, and
thoroughly, solved everything.

6.

God, rest in my heart
and fortify me,
take away my hunger for answers,
let the hours play upon my body

like the hands of my beloved.
Let the cathead appear again—
the smallest of your mysteries,
some wild cousin of my own blood probably—
some cousin of my own wild blood probably,
in the black dinner-bowl of the pond.

7.

Death waits for me, I know it, around
one corner or another.
This doesn’t amuse me.
Neither does it frighten me.

After the rain, I went back into the field of sunflowers.
It was cool, and I was anything but drowsy.
I walked slowly, and listened

to the crazy roots, in the drenched earth, laughing and growing.

uncompromising descent

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

On Meditating, Sort Of
by Mary Oliver

Meditation, so I’ve heard, is best accomplished
if you entertain a certain strict posture.
Frankly, I prefer just to lounge under a tree.
So why should I think I could ever be successful?

Some days I fall asleep, or land in that
even better place — half asleep — where the world,
spring, summer, autumn, winter —
flies through my mind in its
hardy ascent and its uncompromising descent.

So I just lie like that, while distance and time
reveal their true attitudes: they never
heard of me, and never will, or ever need to.

Of course I wake up finally
thinking, how wonderful to be who I am,
made out of earth and water,
my own thoughts, my own fingerprints —
all that glorious, temporary stuff.

blossoms fell down

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Strawberry Moon
by Mary Oliver

1.

My great-aunt Elizabeth Fortune
stood under the honey locust trees,
the white moon over her and a young man near.
The blossoms fell down like white feathers,
the grass was warm as a bed, and the young man
full of promises, and the face of the moon
a white fire.

Later,
when the young man went away and came back with a bride,
Elizabeth
climbed into the attic.

2.

Three women came in the night
to wash the blood away,
and burn the sheets,
and take away the child.

Was it a boy or a girl?
No one remembers.

3.

Elizabeth Fortune was not seen again
for forty years.

Meals were sent up,
laundry exchanged.

It was considered a solution
more proper than shame
showing itself to the village.

4.

Finally, name by name, the downstairs died
or moved away,
and she had to come down,
so she did.

At sixty-one, she took in boarders,

washed their dishes,
made their beds,
spoke whatever had to be spoken,
and no more.

5.

I asked my mother:
what happened to the man? She answered:

Nothing.
They had three children.
He worked in the boatyard.

I asked my mother: did they ever meet again?
No, she said,
though sometimes he would come
to the house to visit.
Elizabeth, of course, stayed upstairs.

6.

Now the women are gathering
in smoke-filled rooms,
rough as politicians,
scrappy as club fighters.
And should anyone be surprised

if sometimes, when the white moon rises,
women want to lash out
with a cutting edge?

caustic, tender

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Daisies
by Mary Oliver

It is possible, I suppose that sometime
we will learn everything
there is to learn: what the world is, for example,
and what it means. I think this as I am crossing
from one field to another, in summer, and the
mockingbird is mocking me, as one who either
knows enough already or knows enough to be
perfectly content not knowing. Song being born
of quest he knows this: he must turn silent
were he suddenly assaulted with answers. Instead
oh hear his wild, caustic, tender warbling ceaselessly
unanswered. At my feet the white-petalled daisies display
the small suns of their center piece, their – if you don’t
mind my saying so – their hearts. Of course
I could be wrong, perhaps their hearts are pale and
narrow and hidden in the roots. What do I know?
But this: it is heaven itself to take what is given,
to see what is plain; what the sun lights up willingly;
for example – I think this
as I reach down, not to pick but merely to touch –
the suitability of the field for the daisies, and the
daisies for the field.

a thousand sharpened nails

Standard


Drea Art

dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Dogfish
By Mary Oliver

Some kind of relaxed and beautiful thing
kept flickering in with the tide
and looking around.
Black as a fisherman’s boot,
with a white belly.

If you asked for a picture I would have to draw a smile
under the perfectly round eyes and above the chin,
which was rough
as a thousand sharpened nails.

And you know
what a smile means,
don’t you?

*

I wanted the past to go away, I wanted
to leave it, like another country; I wanted
my life to close, and open
like a hinge, like a wing, like the part of the song
where it falls
down over the rocks: an explosion, a discovery;
I wanted
to hurry into the work of my life; I wanted to know,

whoever I was, I was

alive
for a little while.

*

It was evening, and no longer summer.
Three small fish, I don’t know what they were,
huddled in the highest ripples
as it came swimming in again, effortless, the whole body
one gesture, one black sleeve
that could fit easily around
the bodies of three small fish.

*

Also I wanted
to be able to love. And we all know
how that one goes,
don’t we?

Slowly

*

the dogfish tore open the soft basins of water.

*

You don’t want to hear the story
of my life, and anyway
I don’t want to tell it, I want to listen

to the enormous waterfalls of the sun.

And anyway it’s the same old story – – –
a few people just trying,
one way or another,
to survive.

Mostly, I want to be kind.
And nobody, of course, is kind,
or mean,
for a simple reason.

And nobody gets out of it, having to
swim through the fires to stay in
this world.

*

And look! look! look! I think those little fish
better wake up and dash themselves away
from the hopeless future that is
bulging toward them.

*

And probably,
if they don’t waste time
looking for an easier world,

they can do it.

cutting knowledge

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

One or Two Things
By Mary Oliver

Don’t bother me.
I’ve just
been born.

The butterfly’s loping flight
carries it through the country of the leaves
delicately, and well enough to get it
where it wants to go, wherever that is, stopping
here and there to fuzzle the damp throats
of flowers and the black mud; up
and down it swings, frenzied and aimless; and sometimes

for long delicious moments it is perfectly
lazy, riding motionless in the breeze on the soft stalk
of some ordinary flower.

The god of dirt
came up to me many times and said
so many wise and delectable things, I lay
on the grass listening

to his dog voice,
crow voice,
frog voice; now,
he said, and now,
and never once mentioned forever,

which has nevertheless always been,
like a sharp iron hoof,
at the center of my mind.

One or two things are all you need
to travel over the blue pond, over the deep
roughage of the trees and through the stiff
flowers of lightning—some deep
memory of pleasure, some cutting
knowledge of pain.

But to lift the hoof!
For that you need
an idea.

shout and whisper

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

Leaves and Blossoms Along the Way
by Mary Oliver

If you’re John Muir you want trees to
live among. If you’re Emily, a garden
will do.
Try to find the right place for yourself.
If you can’t find it, at least dream of it.

When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.

Anything that touches.

God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.

Some words will never leave God’s mouth,
no matter how hard you listen.

In all the works of Beethoven, you will
not find a single lie.

All important ideas must include the trees,
the mountains, and the rivers.

To understand many things you must reach out
of your own condition.

For how many years did I wander slowly
through the forest. What wonder and
glory I would have missed had I ever been
in a hurry!

Beauty can both shout and whisper, and still
it explains nothing.

The point is, you’re you, and that’s for keeps.

black river of loss

Standard

Drea Art
dreajensengallery.pixels.com
facebook.com/dreajensenart
virtualartistaltar.com

In Blackwater Woods
by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.