edges of knowing

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Drea Art
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Bone
by Mary Oliver

1.

Understand, I am always trying to figure out
what the soul is,
and where hidden,
and what shape
and so, last week,
when I found on the beach
the ear bone
of a pilot whale that may have died
hundreds of years ago, I thought
maybe I was close
to discovering something
for the ear bone

2.

is the portion that lasts longest
in any of us, man or whale; shaped
like a squat spoon
with a pink scoop where
once, in the lively swimmer’s head,
it joined its two sisters
in the house of hearing,
it was only
two inches long
and thought: the soul
might be like this
so hard, so necessary

3.

yet almost nothing.
Beside me
the gray sea
was opening and shutting its wave-doors,
unfolding over and over
its time-ridiculing roar;
I looked but I couldn’t see anything
through its dark-knit glare;
yet don’t we all know, the golden sand
is there at the bottom,
though our eyes have never seen it,
nor can our hands ever catch it

4.

lest we would sift it down
into fractions, and facts
certainties
and what the soul is, also
I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.

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building the universe

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Drea Art
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Song of the Builders
by Mary Oliver

On a summer morning
I sat down
on a hillside
to think about God –

a worthy pastime.
Near me, I saw
a single cricket;
it was moving the grains of the hillside

this way and that way.
How great was its energy,
how humble its effort.
Let us hope

it will always be like this,
each of us going on
in our inexplicable ways
building the universe.

the most tender

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Drea Art
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Invitation
by Mary Oliver

Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing

just to be alive
on this fresh morning
in the broken world.
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance.

It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.

in your own yard

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Drea Art
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Where Does the Dance Begin, Where Does It End?
By Mary Oliver

Don’t call this world adorable, or useful, that’s not it.
It’s frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.

But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn’t the wind, turning in circles, invent the dance?
Haven’t the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?

Don’t call this world an explanation, or even an education.

When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking

to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,

as he whirled,
oh jug of breath,
in the garden of dust?

rises and floats

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Drea Art
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Lilies
by Mary Oliver

I have been thinking
about living
like the lilies
that blow in the fields.

They rise and fall
in the edge of the wind,
and have no shelter
from the tongues of the cattle,

and have no closets or cupboards,
and have no legs.
Still I would like to be
as wonderful

as the old idea.
But if I were a lily
I think I would wait all day
for the green face

of the hummingbird
to touch me.
What I mean is,
could I forget myself

even in those feathery fields?
When Van Gogh
preached to the poor
of coarse he wanted to save someone–

most of all himself.
He wasn’t a lily,
and wandering through the bright fields
only gave him more ideas

it would take his life to solve.
I think I will always be lonely
in this world, where the cattle
graze like a black and white river–

where the vanishing lilies
melt, without protest, on their tongues–
where the hummingbird, whenever there is a fuss,
just rises and floats away.

be astonished

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Drea Art
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Sometimes
by Mary Oliver

1.

Something came up
out of the dark.
It wasn’t anything I had ever seen before.
It wasn’t an animal
or a flower,
unless it was both.

Something came up out of the water,
a head the size of a cat
but muddy and without ears.
I don’t know what God is.
I don’t know what death is.

But I believe they have between them
some fervent and necessary arrangement.

2.

Sometime
melancholy leaves me breathless…

3.

Water from the heavens! Electricity from the source!
Both of them mad to create something!

The lighting brighter than any flower.
The thunder without a drowsy bone in its body.

4.

Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.

5.
Two or three times in my life I discovered love.
Each time it seemed to solve everything.
Each time it solved a great many things
but not everything.
Yet left me as grateful as if it had indeed, and
thoroughly, solved everything.

6.

God, rest in my heart
and fortify me,
take away my hunger for answers,
let the hours play upon my body

like the hands of my beloved.
Let the cathead appear again—
the smallest of your mysteries,
some wild cousin of my own blood probably—
some cousin of my own wild blood probably,
in the black dinner-bowl of the pond.

7.

Death waits for me, I know it, around
one corner or another.
This doesn’t amuse me.
Neither does it frighten me.

After the rain, I went back into the field of sunflowers.
It was cool, and I was anything but drowsy.
I walked slowly, and listened

to the crazy roots, in the drenched earth, laughing and growing.

her perfect love

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Drea Art
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Spring
By Mary Oliver

Somewhere
a black bear
has just risen from sleep
and is staring

down the mountain.
All night
in the brisk and shallow restlessness
of early spring

I think of her,
her four black fists
flicking the gravel,
her tongue

like a red fire
touching the grass,
the cold water.
There is only one question:

how to love this world.
I think of her
rising
like a black and leafy ledge

to sharpen her claws against
the silence
of the trees.
Whatever else

my life is
with its poems
and its music
and its glass cities,

it is also this dazzling darkness
coming
down the mountain,
breathing and tasting;

all day I think of her—
her white teeth,
her wordlessness,
her perfect love.