Drea Art
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Dogfish by Mary Oliver

Some kind of relaxed and beautiful thing

kept flickering in with the tide

and looking around.

Black as a fisherman’s boot,

with a white belly.

If you asked for a picture I would have to draw a smile

under the perfectly round eyes and above the chin,

which was rough

as a thousand sharpened nails.

And you know

what a smile means,

don’t you?

I wanted

the past to go away, I wanted

to leave it, like another country; I wanted

my life to close, and open

like a hinge, like a wing, like the part of the song

where it falls

down over the rocks: an explosion, a discovery;

I wanted

to hurry into the work of my life; I wanted to know,

whoever I was, I was

alive

for a little while.

It was evening, and no longer summer.

Three small fish, I don’t know what they were,

huddled in the highest ripples

as it came swimming in again, effortless, the whole body

one gesture, one black sleeve

that could fit easily around

the bodies of three small fish.

Also I wanted

to be able to love. And we all know

how that one goes,

don’t we?

Slowly

the dogfish tore open the soft basins of water.

You don’t want to hear the story

of my life, and anyway

I don’t want to tell it, I want to listen

to the enormous waterfalls of the sun.

And anyway it’s the same old story – – –

a few people just trying,

one way or another,

to survive.

Mostly, I want to be kind.

And nobody, of course, is kind,

or mean,

for a simple reason.

And nobody gets out of it, having to

swim through the fires to stay in

this world.

And look! look! look! I think those little fish

better wake up and dash themselves away

from the hopeless future that is

bulging toward them.

And probably,

if they don’t waste time

looking for an easier world,

they can do it.

Drea Art
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The Singular and Cheerful Life by Mary Oliver

The singular and cheerful life
of any flower
in anyone’s garden
or any still unowned field–
if there are any–
catches me
by the heart,
by its color

by its obedience
to the holiest of laws:
be alive
until you are not.
Ragweed,
pale violet bull thistle,
morning glories curling
through the field corn;
those princes of everything green–
the grasses
of which there are truly
an uncountable company,
each on its singular stem
striving
to rise and ripen.
What, in the earth world,
is there not to be amazed by
and to be steadied by
and to cherish?
Oh, my dear heart,
my own dear heart,
full of hesitations,
questions, choice of directions,
look at the world.
Behold the morning glory,
the meanest flower, the ragweed, the thistle.
Look at the grass.

Drea Art
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Stars by Mary Oliver

Here in my head, language
keeps making its tiny noises.

How can I hope to be friends
with the hard white stars

whose flaring and hissing are not speech
but a pure radiance?

How can I hope to be friends
with the yawning spaces between them

where nothing, ever, is spoken?
Tonight, at the edge of the field,

I stood up very still, and looked up,
and tried to be empty of words.

What joy was it, that almost found me?
What amiable peace?

Then it was over, the wind
roused up in the oak trees behind me

and I fell back, easily.
Earth has a hundred thousand pure contraltos-

even the distant night bird
as it talks threat, as it talks love

over the cold, black fields.
Once, deep in the woods,

I found the skull of a bear
and it was utterly silent-

and once a river otter, in a steel trap,
and it too was utterly silent.

What can we do
but keep breathing in and out,

modest and willing, and in our places?
Listen, listen, I’m forever saying,

Listen to the river, to the hawk, to the hoof,
to the mockingbird, to the jack-in-the-pulpit-

then I come up with a few words, like a gift.
Even as now.

Even as the darkness has remained the pure, deep darkness.
Even as the stars have twirled a little, while I stood here,

looking up,
one hot sentence after another.

Drea Art
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How Would You Live Then? by Mary Oliver

What if a hundred rose-breasted grosbeaks
flew in circles around your head? What if
the mockingbird came into the house with you and
became your advisor? What if
the bees filled your walls with honey and all
you needed to do was ask them and they would fill
the bowl? What if the brook slid downhill just
past your bedroom window so you could listen
to its slow prayers as you fell asleep? What if
the stars began to shout their names, or to run
this way and that way above the clouds? What if
you painted a picture of a tree, and the leaves
began to rustle, and a bird cheerfully sang
from its painted branches? What if you suddenly saw
that the silver of water was brighter than the silver
of money? What if you finally saw
that the sunflowers, turning toward the sun all day
and every day – who knows how, but they do it – were
more precious, more meaningful than gold?

Drea Art
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Evidence (1.) by Mary Oliver

Where do I live? If I had no address, as many people
do not, I could nevertheless say that I lived in the
same town as the lilies of the field, and the still
waters.

Spring, and all through the neighborhood now there are
strong men tending flowers.

Beauty without purpose is beauty without virtue. But
all beautiful things, inherently, have this function –
to excite the viewers toward sublime thought. Glory
to the world, that good teacher.

Among the swans there is none called the least, or
the greatest.

I believe in kindness. Also in mischief. Also in
singing, especially when singing is not necessarily
prescribed.

As for the body, it is solid and strong and curious
and full of detail; it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue.

Keep some room in your heart for the unimaginable.

Drea Art
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Reckless Poem by Mary Oliver

Today again I am hardly myself.
It happens over and over.
It is heaven-sent.

It flows through me
like the blue wave.
Green leaves—you may believe this or not—
have once or twice
emerged from the tips of my fingers

somewhere
deep in the woods,
in the reckless seizure of spring.

Though, of course, I also know that other song,
the sweet passion of one-ness.

Just yesterday I watched an ant crossing a path, through the
tumbled pine needles she toiled.
And I thought: she will never live another life but this one.
And I thought: if she lives her life with all her strength
is she not wonderful and wise?
And I continued this up the miraculous pyramid of everything
until I came to myself.

And still, even in these northern woods, on these hills of sand,
I have flown from the other window of myself
to become white heron, blue whale,
red fox, hedgehog.
Oh, sometimes already my body has felt like the body of a flower!
Sometimes already my heart is a red parrot, perched
among strange, dark trees, flapping and screaming.

Drea Art
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Quote by Mary Oliver

“You can have the other words — chance, luck, coincidence, serendipity.

I’ll take grace.

I don’t know what it is exactly, but I’ll take it.”

Drea Art
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Starlings in Winter by Mary Oliver

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can’t imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.

Ah, world, what lessons you prepare for us,
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard. I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

Drea Art
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On Meditating, Sort Of by Mary Oliver

Meditation, so I’ve heard, is best accomplished
if you entertain a certain strict posture.
Frankly, I prefer just to lounge under a tree.
So why should I think I could ever be successful?

Some days I fall asleep, or land in that
even better place — half-asleep — where the world,
spring, summer, autumn, winter —
flies through my mind in its
hardy ascent and its uncompromising descent.

So I just lie like that, while distance and time
reveal their true attitudes: they never
heard of me, and never will, or ever need to.

Of course I wake up finally
thinking, how wonderful to be who I am,
made out of earth and water,
my own thoughts, my own fingerprints —
all that glorious, temporary stuff.

Drea Art
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In the Storm by Mary Oliver

Some black ducks
were shrugged up
on the shore.
It was snowing

hard, from the east,
and the sea
was in disorder.
Then some sanderlings,

five inches long
with beaks like wire,
flew in,
snowflakes on their backs,

and settled
in a row
behind the ducks —
whose backs were also

covered with snow —
so close
they were all but touching,
they were all but under

the roof of the duck’s tails,
so the wind, pretty much,
blew over them.
They stayed that way, motionless,

for maybe an hour,
then the sanderlings,
each a handful of feathers,
shifted, and were blown away

out over the water
which was still raging.
But, somehow,
they came back

and again the ducks,
like a feathered hedge,
let them
crouch there, and live.

If someone you didn’t know
told you this,
as I am telling you this,
would you believe it?

Belief isn’t always easy.
But this much I have learned —
if not enough else —
to live with my eyes open.

I know what everyone wants
is a miracle.
This wasn’t a miracle.
Unless, of course, kindness —

as now and again
some rare person has suggested —
is a miracle.
As surely it is.