Drea’s Art Studio 2017
by Mary Oliver
What is this dark hum among the roses?
The bees have gone simple, sipping,
that’s all. What did you expect? Sophistication?
They’re small creatures and they are
filling their bodies with sweetness, how could they not
moan in happiness? The little
worker bee lives, I have read, about three weeks.
Is that long? Long enough, I suppose, to understand
that life is a blessing. I have found them-haven’t you?—
stopped in the very cups of the flowers, their wings
a little tattered-so much flying about, to the hive,
then out into the world, then back, and perhaps dancing,
should the task be to be a scout-sweet, dancing bee.
I think there isn’t anything in this world I don’t
admire. If there is, I don’t know what it is. I
haven’t met it yet. Nor expect to. The bee is small,
and since I wear glasses, so I can see the traffic and
read books, I have to
take them off and bend close to study and
understand what is happening. It’s not hard, it’s in fact
as instructive as anything I have ever studied. Plus, too,
it’s love almost too fierce to endure, the bee
nuzzling like that into the blouse
of the rose. And the fragrance, and the honey, and of course
the sun, the purely pure sun, shining, all the while, over
all of us.
A Pretty Song
by Mary Oliver
From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to love, isn’t it?
This isn’t a playground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods
that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers, type me a pretty song.
And I say to my heart: rave on.
By Mary Oliver
I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It’s like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.
Then you begin, slowly, to read the whole story.
I HAPPENED TO BE STANDING
~ Mary Oliver
I don’t know where prayers go,
or what they do.
Do cats pray, while they sleep
half-asleep in the sun?
Does the opossum pray as it
crosses the street?
The sunflowers? The old black oak
growing older every year?
I know I can walk through the world,
along the shore or under the trees,
with my mind filled with things
of little importance, in full
self-attendance. A condition I can’t really
call being alive.
Is a prayer a gift, or a petition,
or does it matter?
The sunflowers blaze, maybe that’s their way.
Maybe the cats are sound asleep. Maybe not.
While I was thinking this I happened to be standing
just outside my door, with my notebook open,
which is the way I begin every morning.
Then a wren in the privet began to sing.
He was positively drenched in enthusiasm,
I don’t know why. And yet, why not.
I wouldn’t pursuade you from whatever you believe
or whatever you don’t. That’s your business.
But I t hought, of the wren’s singing, what could this be
if it isn’t a prayer?
So I just listened, my pen in the air.
In Blackwater Woods
Look, the trees
their own bodies
are giving off the rich
fragrance of cinnamon
the long tapers
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it
to let it go.
by Mary Oliver
The female, and two chicks,
each no bigger than my thumb,
in their pale-green dresses;
then they rose, tiny fireworks,
into the leaves
then they sat down,
each one with dainty, charcoal feet –
each one on a slender branch –
and looked at me.
I had meant no harm,
I had simply
climbed the tree
for something to do
on a summer day,
not knowing they were there,
ready to burst the ledges
of their mossy nest
and to fly, for the first time,
in their sea-green helmets,
with brisk, metallic tails –
each tulled wing,
with every dollop of flight,
drawing a perfect wheel
across the air.
Then, with a series of jerks,
they paused in front of me
and, dark-eyed, stared –
as though I were a flower –
like three tosses of silvery water,
they were gone.
in the crown of the tree,
I went to China,
I went to Prague;
I died, and was born in the spring;
I found you, and loved you, again.
Later the darkness fell
and the solid moon
like a white pond rose.
But I wasn’t in any hurry.
Likely I visted all
the shimmering, heart-stabbing
questions without answers
before I climbed down.
by Mary Oliver
the dark buds of dreams
In the center
of every petal
is a letter,
and you imagine
if you could only remember
and string them all together
they would spell the answer.
It is a long night,
and not an easy one—-
you have so many branches,
and there are diversions—-
birds that come and go,
the black fox that lies down
to sleep beneath you,
the moon staring
with her bone-white eye.
Finally you have spent
all the energy you can
and you drag from the ground
the muddy skirt of your roots
and leap awake
with two or three syllables
like water in your mouth
and a sense
of loss—-a memory
not yet of a word,
certainly not yet the answer—-
only how it feels
when deep in the tree
all the locks click open,
and the fire surges through the wood,
and the blossoms blossom.