Paintings by Drea

Song of the Builders
By Mary Oliver

On a summer morning
I sat down
on a hillside
to think about God –

a worthy pastime.
Near me, I saw
a single cricket;
it was moving the grains of the hillside

this way and that way.
How great was its energy,
how humble its effort.
Let us hope

it will always be like this,
each of us going on
in our inexplicable ways
building the universe.

Gracie 2015 by Drea
http://dreajensengallery.artistwebsites.com/featured/gracie-2015-drea-jensen.html

Sleeping in the Forest
By Mary Oliver

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

Awakening 2010 by Drea
http://dreajensengallery.artistwebsites.com/featured/awakening-2010-drea-jensen.html

LITTLE DOGS RHAPSODY IN THE NIGHT
(PERCY THREE)

He puts his cheek against mine
and makes small, expressive sounds.
And when I’m awake, or awake enough

he turns upside down, his four paws
in the air
and his eyes dark and fervent.

Tell me you love me, he says.

Tell me again.

Could there be a sweeter arrangement?
Over and over
he gets to ask it.
I get to tell.

― Mary Oliver

Paintings by Drea

Poem of the One World
By Mary Oliver

This morning
the beautiful white heron
was floating along above the water

and then into the sky of this
the one world
we all belong to

where everything
sooner or later
is a part of everything else

which thought made me feel
for a little while
quite beautiful myself.

Paintings by Drea

Where Does the Dance Begin, Where Does It End?
By Mary Oliver

Don’t call this world adorable, or useful, that’s not it.
It’s frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.

But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn’t the wind, turning in circles, invent the dance?
Haven’t the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?

Don’t call this world an explanation, or even an education.

When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking

to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,

as he whirled,
oh jug of breath,
in the garden of dust?

Paintings by Drea

The Singular and Cheerful Life
By Mary Oliver

The singular and cheerful life
of any flower
in anyone’s garden
or any still unowned field-

if there are any-
catches me
by the heart,
by its color

by its obedience
to the holiest of laws:
be alive
until you are not…

those princes of everything green-
the grasses
of which there are truly
an uncountable company,

each on its singular stem
striving
to rise and ripen.

What, in the earth world,
is there not to be amazed by
and to be steadied by
and to cherish?

Oh, my dear heart,
my own dear heart,
full of hesitations,
questions, choice of directions,

look at the world.
Behold the morning glory,
the meanest flower, the ragweed, the thistle.
Look at the grass.

Paintings by Drea

The Arrowhead
By Mary Oliver

The arrowhead,
which I found beside the river,
was glittering and pointed.
I picked it up, and said,
“Now, it’s mine.”
I thought of showing it to friends.
I thought of putting it—such an imposing trinket—
in a little box, on my desk.
Halfway home, past the cut fields,
the old ghost
stood under the hickories.
“I would rather drink the wind,” he said,
“I would rather eat mud and die
than steal as you steal,
than lie as you lie.”

Fluent 2012 by Drea
http://dreajensengallery.artistwebsites.com/featured/fluent-2012-drea-jensen.html

When Death Comes

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.

I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world

~ Mary Oliver

Devotion 2012 by Drea
http://dreajensengallery.artistwebsites.com/featured/devotion-2012-drea-jensen.html

Her Grave
by Mary Oliver

She would come back, dripping thick water, from the green bog.
She would fall at my feet, she would draw the black skin
from her gums, in a hideous and wonderful smile—–
and I would rub my hands over her pricked ears and her
cunning elbows,
and I would hug the barrel of her body, amazed at the unassuming
perfect arch of her neck.

It took four of us to carry her into the woods.
We did not think of music,
but, anyway, it began to rain
slowly.

Her wolfish, invitational, half-pounce.

Her great and lordly satisfaction at having chased something.

My great and lordly satisfaction at her splash
of happiness as she barged
through the pitch pines swiping my face with her
wild, slightly mossy tongue.

Does the hummingbird think he himself invented his crimson throat?
He is wiser than that, I think.

A dog lives fifteen years, if you’re lucky.

Do the cranes crying out in the high clouds
think it is all their own music?

A dog comes to you and lives with you in your own house, but you
do not therefore own her, as you do not own the rain, or the
trees, or the laws which pertain to them.

Does the bear wandering in the autumn up the side of the hill
think all by herself she has imagined the refuge and the refreshment
of her long slumber?

A dog can never tell you what she knows from the
smells of the world, but you know, watching her, that you know
almost nothing.

Does the water snake with his backbone of diamonds think
the black tunnel on the bank of the pond is a palace
of his own making?

She roved ahead of me through the fields, yet would come back, or
wait for me, or be somewhere.

Now she is buried under the pines.

Nor will I argue it, or pray for anything but modesty, and
not to be angry.

Through the trees is the sound of the wind, palavering

The smell of the pine needles, what is it but a taste
of the infallible energies?

How strong was her dark body!

How apt is her grave place.

How beautiful is her unshakable sleep.

Finally,
the slick mountains of love break
over us.