wild stanzas

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Paintings by Drea

Paintings by Drea

A Dream of Trees
by Mary Oliver

There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, schools, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company,
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere.
There is a thing in me still dreams of trees.
But let it go. Homesick for moderation,
Half the world’s artists shrink or fall away.
If any find solution, let him tell it.
Meanwhile I bend my heart toward lamentation
Where, as the times implore our true involvement,
The blades of every crisis point the way.

I would it were not so, but so it is.
Who ever made music of a mild day?

pillars of light

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Paintings by Drea

Paintings by Drea

In Blackwater Woods
by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it
go,
to let it go.

sea and sky

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Paintings by Drea

Paintings by Drea

One
By Mary Oliver

The mosquito is so small
it takes almost nothing to ruin it.
Each leaf, the same.
And the black ant, hurrying.
So many lives, so many fortunes!
Every morning, I walk softly and with forward glances
down to the ponds and through the pinewoods.
Mushrooms, even, have but a brief hour
before the slug creeps to the feast,
before the pine needles hustle down
under the bundles of harsh, beneficent rain.

How many, how many, how many
make up a world!
And then I think of that old idea: the singular
and the eternal.
One cup, in which everything is swirled
back to the color of the sea and sky.
Imagine it!

A shining cup, surely!
In the moment in which there is no wind
over your shoulder,
you stare down into it,
and there you are,
your own darling face, your own eyes.
And then the wind, not thinking of you, just passes by,
touching the ant, the mosquito, the leaf,
and you know what else!
How blue is the sea, how blue is the sky,
how blue and tiny and redeemable everything is, even you,
even your eyes, even your imagination.

in love with Ocean

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“The ocean is sprinkling.” ~ Iara

Ocean
by Mary Oliver

I am in love with Ocean
lifting her thousands of white hats
in the chop of the storm,
or lying smooth and blue, the
loveliest bed in the world.
In the personal life, there is
always grief more than enough,
a heart load for each of us
on the dusty road. I suppose
there is a reason for this, so I will be
patient, acquiescent. But I will live
nowhere except here, by Ocean, trusting
equally in all blast and welcome
of her sorrowless, salt self.

gifts

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Paintings by Drea

Paintings by Drea

The Place I Want to Get Back To
by Mary Oliver

The place I want to get back to
is where
in the pinewoods
in the moments between
the darkness
and first light
two deer
came walking down the hill
and when they saw me
they said to each other, okay,
this one is okay,
let’s see who she is
and why she is sitting
on the ground like that,
so quiet, as if
asleep, or in a dream,
but, anyway, harmless;
and so they came
on their slender legs
and gazed upon me
not unlike the way
I go out to the dunes and look
and look and look
into the faces of the flowers;
and then one of them leaned forward
and nuzzled my hand, and what can my life
bring to me that could exceed
that brief moment?
For twenty years
I have gone every day to the same woods,
not waiting, exactly, just lingering.
Such gifts, bestowed,
can’t be repeated.
If you want to talk about this
come to visit. I live in the house
near the corner, which I have named
Gratitude.

autumn flares

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Paintings by Drea

Paintings by Drea

Fall Song
By Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries – roots and sealed seeds
and the wanderings of water. This

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

on the sand

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Paintings by Drea

Paintings by Drea

The Return
by Mary Oliver

1.
When I went back to the sea
it wasn’t waiting.
Neither had it gone away.
All its musics were safe and sound; the circling gulls
were still a commonplace, the fluted shells
rolled on the shore
more beautiful than money –
oh, yes, more beautiful than money!
The thick-necked seals
stood in the salted waves with their soft, untroubled faces
gazing shoreward –

oh bed of silk,
lie back now on your prairies of blackness your fields of sunlight
that I may look at you.

I am happy to be home.

2.
I do not want to be frisky, and theatrical.
I do not want to go forward in the parade of names.
I do not want to be diligent or necessary or in any way
heavy.
From my mouth to God’s ear, I swear it; I want only
to be a song.

To wander around in the fields like a little reed bird.

To be a song.

3.
Two eggs rolled from the goose nest
down to the water and halfway into the water.
What good is hoping?
I went there softly, and gathered them
and put them back into the nest

of the goose who bit me hard with her
lovely long wings
and beat my face with her
lovely long wings
what good is trying?
She hissed horribly, wanting me to be frightened.
I wasn’t frightened.
I just knew it was over,
those cold white eggs would never hatch,

the birds would forget, soon, and go back,
to the light-soaked pond,
what good is remembering?

But I wasn’t frightened.

4.
Sometimes I really believe it, that I am going to
save my life

a little.

5.
When I found the seal pup alone on the far beach,
not sleeping but looking all around, I didn’t
reason it out, for reason would have sent me away,
I just
went close but not too close, and lay down on the sand
with my back toward it, and
pretty soon it rolled over, and rolled over
until the length of its body lay along
the length of my body, and so we touched, and maybe
our breathing together was some kind of heavenly conversation
in God’s delicate and magnifying language, the one
we don’t dare speak out loud,
not yet.

6.
Rumi the poet was a scholar also,
But Shams, his friend, was an angel.
By which I don’t mean anything patient and sweet,
When I read how he took Rumi’s books and threw them
into the duck pond,
I shouted for joy. Time to live now,
Shams meant.
I see him, turning away
casually toward the road, Rumi following, the books
floating and sinking among the screeching ducks,

oh, beautiful book-eating pond!

7.
The country of the mockingbird is where I now want to be,
thank you, yes.

The days when the snow-white swans might pass over the dunes
are the days I want to eat now, slowly and carefully
and with gratitude. Thank you.

The hours fresh and tidal are the hours I want to hold
in the palm of my hand, thank you, yes.

Such grace, thank you!

The gate I want to open now is the one that leads into
the flower-bed of my mind, thank you, yes.

Every day the slow, fresh wind, thank you, yes.

The wing, in the dark, that touches me.

Thank you.

Yes.

relaxed and easy

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Paintings by Drea

Paintings by Drea

The Sun
by Mary Oliver

Have you ever seen
anything
in your life
more wonderful
than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon
and into the clouds or the hills,
or the rumpled sea,
and is gone—
and how it slides again
out of the blackness,
every morning,
on the other side of the world,
like a red flower
streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance—
and have you ever felt for anything
such wild love—
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure
that fills you,
as the sun
reaches out,
as it warms you
as you stand there,
empty-handed—
or have you too
turned from this world—
or have you too
gone crazy
for power,
for things?

finding it delicious

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Paintings by Drea

Paintings by Drea

Moles
by Mary Oliver

Under the leaves, under
the first loose
levels of earth
they’re there — quick
as beetles, blind
as bats, shy
as hares but seen
less than these —
traveling
among the pale girders
of appleroot,
rockshelf, nests
of insects and black
pastures of bulbs
peppery and packed full
of the sweetest food:
spring flowers.
Field after field
you can see the traceries
of their long
lonely walks, then
the rains blur
even this frail hint of them —
so excitable,
so plush,
so willing to continue
generation after generation
accomplishing nothing
but their brief physical lives
as they live and die,
pushing and shoving
with their stubborn muzzles against
the whole earth,
finding it
delicious.

the mind and the heart

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First Days in San Miguel de Allende
Mary Oliver

1.
The flagellated Christ
is being carried
to San Miguel de Allende
He must be very heavy

yet the carriers persist
upon the sun flashed road
and the people follow

in the same way that people would seek
a river heard of but never yet found.
They are that thirsty.

2.
In the garden the jacaranda
is dropping
its blue festivities
everywhere,

the wren
is carrying sticks
into the hollow
behind the elbow

of the metal horse
that stands
in the bougainvillea
at the edge

of the singing pool.
I have come, for the first time, to Mexico.
And what has happened
to that intense ambition

with which I always awake?
Soaked up
in the colors, stolen
by the bloody Christs

of the churches,
by the children laughing
at my meager Spanish.
It is said

that when you rent a house here
the owners are not responsible
for church bells, barking dogs,
or firecrackers.

It is early in the morning.
Antonio is sweeping the blossoms away.
I am feeling something, incredibly,
like peace.

The wren is busy, my pencil idle.
The silks of the jacaranda, as though
it is the most important work in the world,
keep falling.

3.
The tops of the northbound trains are dangerous.
Still, they are heaped with hopefuls.

I understand their necessity.
Understanding, however, is not sharing.

Oh let there be a wedding of the
mind and the heart, if not today
then soon.

Meanwhile, let me change my own life
into something better.

Meanwhile, on the streets of San Miguel de Allende
it is easy to smile.
“Hola,” I say to the children.
“Hi,” they say, as I pass

with my passport, and money, in my pocket.