The Journey 2015 by Drea
“It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.” ~ by Mary Oliver
http://dreajensengallery.artistwebsites.com/featured/the-journey-2015-drea-jensen.html

The Journey
By Mary Oliver

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice–
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do–
determined to save
the only life you could save.

Solstice 2015 by Drea
Bless the return of light in our souls.
http://dreajensengallery.artistwebsites.com/featured/solstice-2015-drea-jensen.html

On Winter’s Margin
by Mary Oliver

On winter’s margin, see the small birds now
With half-forged memories come flocking home
To gardens famous for their charity.
The green globe’s broken; vines like tangled veins
Hang at the entrance to the silent wood.

With half a loaf, I am the prince of crumbs;
By snow’s down, the birds amassed will sing
Like children for their sire to walk abroad!
But what I love, is the gray stubborn hawk
Who floats alone beyond the frozen vines;
And what I dream of are the patient deer
Who stand on legs like reeds and drink that wind; –

They are what saves the world: who choose to grow
Thin to a starting point beyond this squalor.

Paintings by Drea

Beans
By Mary Oliver

They’re not like peaches or squash. Plumpness isn’t for them. They like being lean, as if for the narrow path. The beans themselves sit quietly inside their green pods. Instinctively one picks with care, never tearing down the fine vine, never not noticing their crisp bodies, or feeling their willingness for the pot, for the fire.
I have thought sometimes that something-I can’t name it-watches as I walk the rows, accepting the gift of their lives to assist mine.
I know what you think: this is foolishness. They’re only vegetables. Even the blossoms with which they begin are small and pale, hardly significant. Our hands, or minds, our feet hold more intelligence. With this I have no quarrel.
But, what about virtue?

Paintings by Drea

White-Eyes
By Mary Oliver

In winter
all the singing is in
the tops of the trees
where the wind-bird

with its white eyes
shoves and pushes
among the branches.
Like any of us

he wants to go to sleep,
but he’s restless—
he has an idea,
and slowly it unfolds

from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.

So, it’s over.
In the pine-crown
he makes his nest,
he’s done all he can.

I don’t know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—

which he has summoned
from the north—
which he has taught
to be mild, and silent—

thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird

that loves us,
that is asleep now, and silent—
that has turned itself
into snow.

Paintings by Drea

Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

Paintings by Drea

Drifting
by Mary Oliver

I was enjoying everything: the rain, the path
wherever it was taking me, the earth roots
beginning to stir.
I didn’t intend to start thinking about God,
it just happened.
How God, or the gods, are invisible,
quite understandable
But holiness is visible, entirely.
It’s wonderful to walk along like that,
thought not the usual intention to reach an
answer
but merely drifting.
Like clouds that only seem weightless.
but of course are not.
Are really important.
I mean, terribly important.
Not decoration by any means.
By next week the violets will be blooming.

Anyway, this was my delicious walk in the rain.
What was it actually about?

Think about what it is that music is trying to say.
It was something like that.

Paintings by Drea

The Poet with His Face in His Hands
By Mary Oliver

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn’t need anymore of that sound.

So if you’re going to do it and can’t
stop yourself, if your pretty mouth can’t
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.

Paintings by Drea

Lingering in Happiness
By Mary Oliver

After rain after many days without rain,
it stays cool, private and cleansed, under the trees,
and the dampness there, married now to gravity,
falls branch to branch, leaf to leaf, down to the ground
where it will disappear — but not, of course, vanish
except to our eyes. The roots of the oaks will have their share,
and the white threads of the grasses, and the cushion of moss;
a few drops, round as pearls, will enter the mole’s tunnel;
and soon so many small stones, buried for a thousand years,
will feel themselves being touched.

Paintings by Drea

Breakage
Mary Oliver

I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It’s like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.

Then you begin, slowly, to read the whole story.