Drea Art
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Snowy Night
by Mary Oliver

Last night an owl
in the blue dark
tossed
an indeterminate number
of carefully shaped sounds into
the world, in which,
a quarter of a mile away, I happened
to be standing.
I couldn’t tell
which one it was —
the barred or the great-horned
ship of the air —
it was that distant. But, anyway,
aren’t there moments
that are better than knowing something, and sweeter? Snow was falling,
so much like stars
filling the dark trees
that one could easily imagine
its reason for being was nothing more
than prettiness. I suppose
if this were someone else’s story
they would have insisted on knowing
whatever was knowable — would have hurried
over the fields
to name it — the owl, I mean.
But it’s mine, this poem of the night,
and I just stood there, listening and holding out
my hands to the soft glitter
falling through the air. I love this world
but not for its answers.
And I wish good luck to the owl,
whatever its name —
and I wish great welcome to the snow,
whatever its severe and comfortless
and beautiful meaning.

Drea Art
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Mysteries, Yes
by Mary Oliver

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
“Look!” and laugh in astonishment,
and bow their heads.

Drea Art
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A THOUSAND MORNINGS
By Mary Oliver

All night my heart makes its way
however it can over the rough ground
of uncertainties, but only until night
meets and then is overwhelmed by
morning, the light deepening, the
wind easing and just waiting, as I
too wait (and when have I ever been
disappointed?) for redbird to sing.

Drea Art
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Heavy
By Mary Oliver

That time
I thought I could not
go any closer to grief
without dying

I went closer,
and I did not die.
Surely God
had His hands in this,

as well as friends.
Still, I was bent
and my laughter,
as the poet said,

was nowhere to be found.
Then said my friend Daniel
(brave even among lions),
“It’s not the weight you carry

but how you carry it –
books, bricks, grief –
it’s all in the way
you embrace it, balance it, carry it

when you cannot and would not,
put it down.”
So I went practicing.
Have you noticed?

Have you heard
the laughter
that comes, now and again,
out of my startled mouth?

How I linger
to admire, admire, admire
the things of this world
that are kind, and maybe

also troubled –
roses in the wind,
the sea geese on the steep waves,
a love
to which there is no reply?

Drea Art
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Bone
By Mary Oliver

1.

Understand, I am always trying to figure out
what the soul is,
and where hidden,
and what shape
and so, last week,
when I found on the beach
the ear bone
of a pilot whale that may have died
hundreds of years ago, I thought
maybe I was close
to discovering something
for the ear bone

2.

is the portion that lasts longest
in any of us, man or whale; shaped
like a squat spoon
with a pink scoop where
once, in the lively swimmer’s head,
it joined its two sisters
in the house of hearing,
it was only
two inches long
and thought: the soul
might be like this
so hard, so necessary

3.

yet almost nothing.
Beside me
the gray sea
was opening and shutting its wave-doors,
unfolding over and over
its time-ridiculing roar;
I looked but I couldn’t see anything
through its dark-knit glare;
yet don’t we all know, the golden sand
is there at the bottom,
though our eyes have never seen it,
nor can our hands ever catch it

4.

lest we would sift it down
into fractions, and facts
certainties
and what the soul is, also
I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.

Drea Art
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Some Herons
By Mary Oliver

A blue preacher
flew toward the swamp,
in slow motion.

On the leafy banks,
an old Chinese poet,
hunched in the white gown of his wings,

was waiting.
The water
was the kind of dark silk

that has silver lines
shot through it
when it is touched by the wind

or is splashed upward,
in a small, quick flower,
by the life beneath it.

The preacher
made his difficult landing,
his skirts up around his knees.

The poet’s eyes
flared, as poet’s eyes
are said to do

when the poet is awakened
from the forest of meditation.
It was summer.

It was only a few moments past the sun’s rising,
which meant that the whole long sweet day
lay before them.

They greeted each other,
rumpling their gowns, for an instant,
and then smoothing them.

They entered the water,
and two more herons–
equally as beautiful–

joined them and stood just beneath them
in the black, polished water
where they fished, all day.

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Have You Ever Tried to Enter the Long Black Branches?
by Mary Oliver

Have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left —
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one’s foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,
to the tippets of the honeysuckle, that have opened

in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,

and the opening of the window no more difficult
than the wakening from a little sleep.

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?

And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn’t ended yet.

Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.

I climb, I backtrack.
I float.
I ramble my way home.

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Drea Art
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Blossom
by Mary Oliver

In April
the ponds open
like black blossoms,
the moon
swims in every one;
there’s fire
everywhere: frogs shouting
their desire,
their satisfaction. What
we know: that time
chops at us all like an iron
hoe, that death
is a state of paralysis. What
we long for: joy
before death, nights
in the swale – everything else
can wait but not
this thrust
from the root
of the body. What
we know: we are more
than blood – we are more
than our hunger and yet
we belong
to the moon and when the ponds
open, when the burning
begins the most
thoughtful among us dreams
of hurrying down
into the black petals
into the fire,
into the night where time lies shattered
into the body of another.

Drea Art
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When Death Comes
By Mary Oliver

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.

I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

Drea Art
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Carrying The Snake To The Garden
By Mary Oliver

In the cellar
was the smallest snake
I have ever seen.
It coiled itself
in a corner
and watched me
with eyes
like two little stars
set into coal,
and a tail
that quivered.
One step
of my foot
and it fled
like a running shoelace,
but a scoop of the wrist
and I had it
in my hand.
I was sorry
for the fear,
so I hurried
upstairs and out the kitchen door
to the warm grass
and the sunlight
and the garden.
It turned and turned
in my hand
but when I put it down
it didn’t move.
I thought
it was going to flow
up my leg
and into my pocket.
I thought, for a moment,
as it lifted it’s face,
it was going to sing.

And then it was gone.