ramble my way home

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Drea Art
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Have You Ever Tried to Enter the Long Black Branches
by Mary Oliver

Have you ever tried to enter the long black branches
of other lives —
tried to imagine what the crisp fringes, full of honey,
hanging
from the branches of the young locust trees, in early morning,
feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over
the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left —
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one’s foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,

to the tippets of the honeysuckle, that have opened
in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,
and the opening of the window no more difficult
than the wakening from a little sleep

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?

And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn’t ended yet.

Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.

I climb, I backtrack.
I float.
I ramble my way home.

beautiful meaning

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Drea Art
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Snowy Night
by Mary Oliver

Last night, an owl
in the blue dark
tossed
an indeterminate number
of carefully shaped sounds into
the world, in which,
a quarter of a mile away, I happened
to be standing.
I couldn’t tell
which one it was –
the barred or the great-horned
ship of the air –
it was that distant. But, anyway,
aren’t there moments
that are better than knowing something,
and sweeter? Snow was falling,
so much like stars
filling the dark trees
that one could easily imagine
its reason for being was nothing more
than prettiness. I suppose
if this were someone else’s story
they would have insisted on knowing
whatever is knowable – would have hurried
over the fields
to name it – the owl, I mean.
But it’s mine, this poem of the night,
and I just stood there, listening and holding out
my hands to the soft glitter
falling through the air. I love this world,
but not for its answers.
And I wish good luck to the owl,
whatever its name –
and I wish great welcome to the snow,
whatever its severe and comfortless
and beautiful meaning.

imagine, imagine

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Drea Art
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Last Night the Rain Spoke To Me
By Mary Oliver

Last night
the rain
spoke to me
slowly, saying,

what joy
to come falling
out of the brisk cloud,
to be happy again

in a new way
on the earth!
That’s what it said
as it dropped,

smelling of iron,
and vanished
like a dream of the ocean
into the branches

and the grass below.
Then it was over.
The sky cleared.
I was standing

under a tree.
The tree was a tree
with happy leaves,
and I was myself,

and there were stars in the sky
that were also themselves
at the moment,
at which moment

my right hand
was holding my left hand
which was holding the tree
which was filled with stars

and the soft rain—
imagine! imagine!
the wild and wondrous journeys
still to be ours.

something better

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Drea Art
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Sleeping in the Forest
by Mary Oliver

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.

I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.

All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.

All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

toward the horizon

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Drea Art
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The Sun
By Mary Oliver

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?

invisible gift

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Drea Art
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Oxygen
By Mary Oliver

Everything needs it: bone, muscles, and even,
while it calls the earth its home, the soul.
So the merciful, noisy machine

stands in our house working away in its
lung-like voice. I hear it as I kneel
before the fire, stirring with a

stick of iron, letting the logs
lie more loosely. You, in the upstairs room,
are in your usual position, leaning on your

right shoulder which aches
all day. You are breathing
patiently; it is a

beautiful sound. It is
your life, which is so close
to my own that I would not know

where to drop the knife of
separation. And what does this have to do
with love, except

everything? Now the fire rises
and offers a dozen, singing, deep-red
roses of flame. Then it settles

to quietude, or maybe gratitude, as it feeds
as we all do, as we must, upon the invisible gift:
our purest, sweet necessity: the air.

listening

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Drea Art
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MOCKINGBIRDS
by Mary Oliver

This morning
two mockingbirds
in the green field
were spinning and tossing

the white ribbons
of their songs
into the air.
I had nothing

better to do
than listen.
I mean this
seriously.

In Greece,
a long time ago,
an old couple
opened their door

to two strangers
who were,
it soon appeared,
not men at all,

but gods.
It is my favorite story–
how the old couple
had almost nothing to give

but their willingness
to be attentive–
but for this alone
the gods loved them

and blessed them–
when they rose
out of their mortal bodies,
like a million particles of water

from a fountain,
the light
swept into all the corners
of the cottage,

and the old couple,
shaken with understanding,
bowed down–
but still they asked for nothing

but the difficult life
which they had already.
And the gods smiled, as they vanished,
clapping their great wings.

Wherever it was
I was supposed to be
this morning–
whatever it was I said

I would be doing–
I was standing
at the edge of the field–
I was hurrying

through my own soul,
opening its dark doors–
I was leaning out;
I was listening.

your imagination alighting

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Drea Art
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Morning Poem
by Mary Oliver

Every morning
the world
is created.
Under the orange

sticks of the sun
the heaped
ashes of the night
turn into leaves again

and fasten themselves to the high branches—
and the ponds appear
like black cloth
on which are painted islands

of summer lilies.
If it is your nature
to be happy
you will swim away along the soft trails

for hours, your imagination
alighting everywhere.
And if your spirit
carries within it

the thorn
that is heavier than lead—
if it’s all you can do
to keep on trudging—

there is still
somewhere deep within you
a beast shouting that the earth
is exactly what it wanted—

each pond with its blazing lilies
is a prayer heard and answered
lavishly,
every morning,

whether or not
you have ever dared to be happy,
whether or not
you have ever dared to pray.

to my heart

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Drea Art
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A Pretty Song
by Mary Oliver

From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to love, isn’t it?

This isn’t a playground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods

that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers, type me a pretty song.
And I say to my heart: rave on.

lilies of Monet

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Drea Art
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Early Morning, My Birthday
By Mary Oliver

The snails on the pink sleds of their bodies are moving
among the morning glories.
The spider is asleep among the red thumbs
of the raspberries.
What shall I do, what shall I do?

The rain is slow
The little birds are alive in it.
Even the beetles.
The green leaves lap it up.
What shall I do, what shall I do?

The wasp sits on the porch in her paper castle.
The blue heron floats out of the clouds.
The fish leaps, all rainbow and mouth, from the dark water.

This morning the water lilies are no less lovely, I think,
than the lilies of Monet.
And I do not want anymore to be useful, to be docile, to lead
children out of the fields into the text
of civility, to teach them that they are (they are not) better
than the grass.