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points of reference

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Drea Art
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Orion by Mary Oliver

I love Orion, his fiery body, his ten stars,
his flaring points of reference, his shining dogs.

“It is winter,” he says.
“We must eat,” he says. Our gloomy

and passionate teacher.


Miles below

in the cold woods, with the mouse and the owl, 

with the clearness of water sheeted and hidden,

with the reason for the wind forever a secret,
he descends and sits with me, his voice
like the snapping of bones.


Behind him

everything is so black and unclassical; behind him
I don’t know anything, not even

my own mind.


mysterious and lovely

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Crow by Drea
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Crows by Mary Oliver

In Japan, in Seattle, In Indonesia—there they were—
each one loud and hungry,
crossing a field, or sitting
above the traffic, or dropping

to the lawn of some temple to sun itself
or walk about on strong legs,
like a landlord. I think
they don’t envy anyone or anything—

not the tiger, not the emperor,
not even the philosopher.
Why should they?
The wind is their friend, the least tree is home.

Nor is melody, they have discovered, necessary.
Nor have they delicate palates;
without hesitation they will eat
anything you can think of—

corn, mice, old hamburgers—
swallowing with such hollering and gusto
no one can tell whether it’s a brag
or a prayer of deepest thanks. At sunrise, when I walk out,

I see them in trees, or on ledges of buildings,
as cheerful as saints, or thieves of the small job
who have been, one more night, successful—
and like all successes, it turns my thoughts to myself.

Should I have led a more simple life?
Have my ambitions been worthy?
Has the wind, for years, been talking to me as well?
Somewhere, among all my thoughts, there is a narrow path.

It’s attractive, but who could follow it?
Slowly the full morning
draws over us its mysterious and lovely equation.
Then, in the branches poling from their dark center,

ever more flexible and bright,
sparks from the sun are bursting and melting on the birds’ wings,
as, indifferent and comfortable,
they lounge, they squabble in the vast, rose-colored light.

ephemeral

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Amour by Drea
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Of Love by Mary Oliver

I have been in love more times than one,
thank the Lord. Sometimes it was lasting
whether active or not. Sometimes
it was all but ephemeral, maybe only
an afternoon, but not less real for that.
They stay in my mind, these beautiful people,
or anyway beautiful people to me, of which
there are so many. You, and you, and you,
whom I had the fortune to meet, or maybe
missed. Love, love, love, it was the
core of my life, from which, of course, comes
the word for the heart. And, oh, have I mentioned
that some of them were men and some were women
and some—now carry my revelation with you—
were trees. Or places. Or music flying above
the names of their makers. Or clouds, or the sun
which was the first, and the best, the most
loyal for certain, who looked so faithfully into
my eyes, every morning. So I imagine
such love of the world—its fervency, its shining, its
innocence and hunger to give of itself—I imagine
this is how it began.

like stars

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White-Eyes by Mary Oliver

In winter
all the singing is in
the tops of the trees
where the wind-bird

with its white eyes
shoves and pushes
among the branches.
Like any of us

he wants to go to sleep,
but he’s restless—
he has an idea,
and slowly it unfolds

from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.

So, it’s over.
In the pine-crown
he makes his nest,
he’s done all he can.

I don’t know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—

which he has summoned
from the north—
which he has taught
to be mild, and silent—

thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird

that loves us,
that is asleep now, and silent—
that has turned itself
into snow.

touch the earth

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Song for Autumn by Mary Oliver

In the deep fall
don’t you imagine the leaves think how
comfortable it will be to touch
the earth instead of the
nothingness of air and the endless
freshets of wind? And don’t you think
the trees themselves, especially those with mossy,
warm caves, begin to think
of the birds that will come – six, a dozen – to sleep
inside their bodies? And don’t you hear
the goldenrod whispering goodbye,
the everlasting being crowned with the first
tuffets of snow? The pond
vanishes, and the white field over which
the fox runs so quickly brings out
its blue shadows. And the wind pumps its
bellows. And at evening especially,
the piled firewood shifts a little,
longing to be on its way.

in truth

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On Traveling to Beautiful Places by Mary Oliver

Every day I’m still looking for God
and I’m still finding him everywhere,
in the dust, in the flowerbeds.
Certainly in the oceans,
In the islands that lay in the distance
Continents of ice, countries of sand
Each with its own set of creatures
And God, by whatever name.
How perfect to be aboard a ship with
Maybe a hundred years still in my pocket.
But it’s late, for all of us,
And in truth the only ship there is
Is the ship we are all on
Burning the world as we go.

vivacious

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The Moth, The Mountains, The Rivers by Mary Oliver

Who can guess the luna’s sadness who lives so briefly? Who can guess the impatience of stone longing to be ground down, to be part again of something livelier?

Who can imagine in what heaviness the rivers remember their original clarity?

Strange questions, yet I have spent worthwhile time with them.

And I suggest them to you also, that your spirit grow in curiosity, that your life be richer than it is,

that you bow to the earth as you feel how it actually is,

that we—so clever, and

ambitious, and selfish, and unrestrained—

are only one design of the moving, the vivacious many.

a discovery

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Dogfish by Mary Oliver

Some kind of relaxed and beautiful thing

kept flickering in with the tide

and looking around.

Black as a fisherman’s boot,

with a white belly.

If you asked for a picture I would have to draw a smile

under the perfectly round eyes and above the chin,

which was rough

as a thousand sharpened nails.

And you know

what a smile means,

don’t you?

I wanted

the past to go away, I wanted

to leave it, like another country; I wanted

my life to close, and open

like a hinge, like a wing, like the part of the song

where it falls

down over the rocks: an explosion, a discovery;

I wanted

to hurry into the work of my life; I wanted to know,

whoever I was, I was

alive

for a little while.

It was evening, and no longer summer.

Three small fish, I don’t know what they were,

huddled in the highest ripples

as it came swimming in again, effortless, the whole body

one gesture, one black sleeve

that could fit easily around

the bodies of three small fish.

Also I wanted

to be able to love. And we all know

how that one goes,

don’t we?

Slowly

the dogfish tore open the soft basins of water.

You don’t want to hear the story

of my life, and anyway

I don’t want to tell it, I want to listen

to the enormous waterfalls of the sun.

And anyway it’s the same old story – – –

a few people just trying,

one way or another,

to survive.

Mostly, I want to be kind.

And nobody, of course, is kind,

or mean,

for a simple reason.

And nobody gets out of it, having to

swim through the fires to stay in

this world.

And look! look! look! I think those little fish

better wake up and dash themselves away

from the hopeless future that is

bulging toward them.

And probably,

if they don’t waste time

looking for an easier world,

they can do it.

whole towns destroyed

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Don’t Hesitate by Mary Oliver

If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still, life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often the case.
Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.