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this soft world

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Drea Art
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Mindful
by Mary Oliver

Everyday
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for —
to look, to listen,

to lose myself
inside this soft world —
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these —
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?

all my life

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Moccasin Flowers
by Mary Oliver

All my life,
so far,
I have loved
more than one thing,

including the mossy hooves
of dreams, including’
the spongy litter
under the tall trees.

In spring
the moccasin flowers
reach for the crackling
lick of the sun

and burn down. Sometimes,
in the shadows,
I see the hazy eyes,
the lamb-lips

of oblivion,
its deep drowse,
and I can imagine a new nothing
in the universe,

the matted leaves splitting
open, revealing
the black planks
of the stairs.

But all my life–so far–
I have loved best
how the flowers rise
and open, how

the pink lungs of their bodies
enter the fore of the world
and stand there shining
and willing–the one

thing they can do before
they shuffle forward
into the floor of darkness, they
become the trees.

to be the hummingbird

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Drea Art
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Long Afternoon At The Edge Of Little Sister Pond
by Mary Oliver

As for life,
I’m humbled,
I’m without words
sufficient to say

how it has been hard as flint,
and soft as a spring pond,
both of these
and over and over,

and long pale afternoons besides,
and so many mysteries
beautiful as eggs in a nest,
still unhatched

though warm and watched over
by something I have never seen –
a tree angel, perhaps,
or a ghost of holiness.

Every day I walk out into the world
to be dazzled, then to be reflective.
It suffices, it is all comfort –
along with human love,

dog love, water love, little-serpent love,
sunburst love, or love for that smallest of birds
flying among the scarlet flowers.
There is hardly time to think about

stopping, and lying down at last
to the long afterlife, to the tenderness
yet to come, when
time will brim over the singular pond, and become forever,

and we will pretend to melt away into the leaves.
As for death,
I can’t wait to be the hummingbird,
can you?

in happiness, in kindness

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Drea Art
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Why I Wake Early
by Mary Oliver

Hello, sun in my face.
Hello, you who make the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and crotchety–

best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light–
good morning, good morning, good morning.

Watch, now, how I start the day
in happiness, in kindness.

a woman’s body

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Drea Art
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Pink Moon – The Pond
by Mary Oliver

You think it will never happen again.
Then, one night in April,
the tribes wake trilling.
You walk down to the shore.
Your coming stills them,
but little by little the silence lifts
until song is everywhere
and your soul rises from your bones
and strides out over the water.
It is a crazy thing to do –
for no one can live like that,
floating around in the darkness
over the gauzy water.
Left on the shore your bones
keep shouting come back!
But your soul won’t listen;
in the distance it is sparkling
like hot wires. So,
like a good friend,
you decide to follow.
You step off the shore
and plummet to your knees –
you slog forward to your thighs
and sink to your cheekbones –
and now you are caught
by the cold chains of the water –
you are vanishing while around you
the frogs continue to sing, driving
their music upward through your own throat,
not even noticing
you are someone else.
And that’s when it happens –
you see everything
through their eyes,
their joy, their necessity;
you wear their webbed fingers;
your throat swells.
And that’s when you know
you will live whether you will or not,
one way or another,
because everything is everything else,
one long muscle.
Its no more mysterious than that.
So you relax, you don’t fight it anymore,
the darkness coming down
called water,
called spring,
called the green leaf, called
a woman’s body
as it turns into mud and leaves,
as it betas in its cage of water,
as it turns like a lonely spindle
in the moonlight, as it says
yes.

the drenched earth

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Drea Art
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Sometimes
by Mary Oliver

1.

Something came up
out of the dark.
It wasn’t anything I had ever seen before.
It wasn’t an animal
or a flower,
unless it was both.

Something came up out of the water,
a head the size of a cat
but muddy and without ears.
I don’t know what God is.
I don’t know what death is.

But I believe they have between them
some fervent and necessary arrangement.

2.

Sometime
melancholy leaves me breathless…

3.

Water from the heavens! Electricity from the source!
Both of them mad to create something!

The lighting brighter than any flower.
The thunder without a drowsy bone in its body.

4.

Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.

5.
Two or three times in my life I discovered love.
Each time it seemed to solve everything.
Each time it solved a great many things
but not everything.
Yet left me as grateful as if it had indeed, and
thoroughly, solved everything.

6.

God, rest in my heart
and fortify me,
take away my hunger for answers,
let the hours play upon my body

like the hands of my beloved.
Let the cathead appear again—
the smallest of your mysteries,
some wild cousin of my own blood probably—
some cousin of my own wild blood probably,
in the black dinner-bowl of the pond.

7.

Death waits for me, I know it, around
one corner or another.
This doesn’t amuse me.
Neither does it frighten me.

After the rain, I went back into the field of sunflowers.
It was cool, and I was anything but drowsy.
I walked slowly, and listened

to the crazy roots, in the drenched earth, laughing and growing.

love the world

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Drea Art
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To Begin With, the Sweet Grass
By Mary Oliver

1.
Will the hungry ox stand in the field and not eat
of the sweet grass?
Will the owl bite off its own wings?
Will the lark forget to lift its body in the air or
forget to sing?
Will the rivers run upstream?

Behold, I say—behold
the reliability and the finery and the teachings
of this gritty earth gift.

2.
Eat bread and understand comfort.
Drink water, and understand delight.
Visit the garden where the scarlet trumpets
are opening their bodies for the hummingbirds
who are drinking the sweetness, who are
thrillingly gluttonous.

For one thing leads to another.
Soon you will notice how stones shine underfoot.
Eventually tides will be the only calendar you believe in.

And someone’s face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful.

And you will hear the air itself, like a beloved, whisper:
oh, let me, for a while longer, enter the two
beautiful bodies of your lungs.

3.
The witchery of living
is my whole conversation
with you, my darlings.
All I can tell you is what I know.

Look, and look again.
This world is not just a little thrill for the eyes.

It’s more than bones.
It’s more than the delicate wrist with its personal pulse.
It’s more than the beating of the single heart.
It’s praising.
It’s giving until the giving feels like receiving.
You have a life—just imagine that!
You have this day, and maybe another, and maybe
still another.

4.
Someday I am going to ask my friend Paulus,
the dancer, the potter,
to make me a begging bowl
which I believe
my soul needs.

And if I come to you,
to the door of your comfortable house
with unwashed clothes and unclean fingernails,
will you put something into it?

I would like to take this chance.
I would like to give you this chance.

5.
We do one thing or another; we stay the same, or we
change.
Congratulations, if
you have changed.

6.
Let me ask you this.
Do you also think that beauty exists for some
fabulous reason?

And, if you have not been enchanted by this adventure—
your life—
what would do for you?

7.
What I loved in the beginning, I think, was mostly myself.
Never mind that I had to, since somebody had to.
That was many years ago.
Since then I have gone out from my confinements,
though with difficulty.
I mean the ones that thought to rule my heart.
I cast them out, I put them on the mush pile.
They will be nourishment somehow (everything is nourishment
somehow or another).

And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.

And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.

folded like a pastry

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The Hermit Crab
by Mary Oliver

Once I looked inside
the darkness
of a shell folded like a pastry
and there was a fancy face—

or almost a face—
it turned away
and frisked up its brawny forearms
so quickly

against the light
and my looking in
I scarcely had time to see it,
gleaming

under the pure white roof
of old calcium
When I set it down, it hurried
along the tideline

of the sea,
which was slashing along as usual,
shouting and hissing
toward the future,

turning its back
with every tide on the past,
leaving the shore littered
every morning

with more ornaments of death—
what a pearly rubble
from which to choose a house
like a white flower—

and what a rebellion
to leap into it
and hold on,
connecting everything,

the past to the future—
which is of course the miracle—
which is the only argument there is
against the sea.

tears of the clouds

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Meanwhile
by Mary Oliver

Lord, my body is not yet a temple,
but only one of your fair fields.
An empty field that nobody wants, at least not yet.
But even here the lily is somewhere.
Sometimes it lifts its head above the grasses,
the daisies, the milkweed, the mallow.

And sometimes, like us, it sleeps, or at least
leans below the blades of the grasses.
Lord, I live as you have made me to live.
I bite hungrily into the peach and the turnip.
I bite, with sorrow, into the calf and the lamb.
I drink the tears of the clouds.

I praise the leaves of the shrub oaks
and the pine trees in their bold coats.
I listen and give thanks to the catbird and the thrush.
Meanwhile, the fox knows where you are.
The bees leave the swamp azalea and fly straight
to the shadow of your face.

Meanwhile my body is rustic and brash.
The world I live in is hedges, and small blossoms.
Lord, consider me, and my earnest work.
A hut I have made out of the grasses.
Now I build the door, out of all things brash and rustic.
Day and night it is open.
Have you seen it yet, among the grasses?

How it longs for you?
How it tries to shine, like gold?

flaring and luminous

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Drea Art
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Trilliums
by Mary Oliver

Every spring
among
the ambiguities
of childhood

the hillsides grew white
with the wild trilliums.
I believed in the world.
Oh, I wanted

to be easy
in the peopled kingdoms,
to take my place there,
but there was none

that I could find
shaped like me.
So I entered
through the tender buds,

I crossed the cold creek,
my backbone
and my thin white shoulders
unfolding and stretching.

From the time of snow-melt,
when the creek roared
and the mud slid
and the seeds cracked,

I listened to the earth-talk,
the root-wrangle,
the arguments of energy,
the dreams lying

just under the surface,
then rising,
becoming
at the last moment

flaring and luminous —
the patient parable
of every spring and hillside
year after difficult year.