Drea Art
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In Blackwater Woods by Mary Oliver

Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

 

Drea Art
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Herons in Winter in the Frozen Marsh by Mary Oliver

All winter
two blue herons
hunkered in the frozen marsh,
like two columns of blue smoke.

What they ate
I can’t imagine,
unless it was the small laces
of snow that settled

in the ruckus of the cattails,
or the glazed windows of ice
under the tired
pitchforks of their feet—

so the answer is
they ate nothing,
and nothing good could come of that.
They were mired in nature, and starving.

Still, every morning
they shrugged the rime from their shoulders,
and all day they
stood to attention

in the stubbled desolation.
I was filled with admiration,
sympathy,
and, of course, empathy.

It called for a miracle.
Finally the marsh softened,
and their wings cranked open
revealing the old blue light,

so that I thought: how could this possibly be
the blunt, dark finish?
First one, then the other, vanished
into the ditches and upheavals.

All spring, I watched the rising blue-green grass,
above its gleaming and substantial shadows,
toss in the breeze,
like wings.

 

Drea Art
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Snowy Night by Mary Oliver

Last night, an owl
in the blue dark
tossed
an indeterminate number
of carefully shaped sounds into
the world, in which,
a quarter of a mile away, I happened
to be standing.
I couldn’t tell
which one it was –
the barred or the great-horned
ship of the air –
it was that distant. But, anyway,
aren’t there moments
that are better than knowing something,
and sweeter? Snow was falling,
so much like stars
filling the dark trees
that one could easily imagine
its reason for being was nothing more
than prettiness. I suppose
if this were someone else’s story
they would have insisted on knowing
whatever is knowable – would have hurried
over the fields
to name it – the owl, I mean.
But it’s mine, this poem of the night,
and I just stood there, listening and holding out
my hands to the soft glitter
falling through the air. I love this world,
but not for its answers.
And I wish good luck to the owl,
whatever its name –
and I wish great welcome to the snow,
whatever its severe and comfortless
and beautiful meaning.

 

Curiosity 2012 by Drea

https://dreajensengallery.pixels.com/featured/curiosity-2012-drea-jensen.html

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White-Eyes by Mary Oliver

In winter
    all the singing is in
         the tops of the trees
             where the wind-bird

with its white eyes
    shoves and pushes
         among the branches.
             Like any of us

he wants to go to sleep,
    but he’s restless—
         he has an idea,
             and slowly it unfolds

from under his beating wings
    as long as he stays awake.
         But his big, round music, after all,
             is too breathy to last.

So, it’s over.
    In the pine-crown
         he makes his nest,
             he’s done all he can.

I don’t know the name of this bird,
    I only imagine his glittering beak
         tucked in a white wing
             while the clouds—

which he has summoned
    from the north—
         which he has taught
             to be mild, and silent—

thicken, and begin to fall
    into the world below
         like stars, or the feathers
               of some unimaginable bird

that loves us,
    that is asleep now, and silent—
         that has turned itself
             into snow.

 

Drea Art
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Leaves and Blossoms Along the Way by Mary Oliver

If you’re John Muir you want trees to
live among. If you’re Emily, a garden
will do.
Try to find the right place for yourself.
If you can’t find it, at least dream of it.
When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.

Anything that touches.
God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.
Some words will never leave God’s mouth,
no matter how hard you listen. 

In all the works of Beethoven, you will
not find a single lie.
All important ideas must include the trees,
the mountains, and the rivers.
To understand many things you must reach out
of your own condition.
For how many years did I wander slowly
through the forest. What wonder and
glory I would have missed had I ever been
in a hurry!
Beauty can both shout and whisper, and still
it explains nothing.
The point is, you’re you, and that’s for keeps.

.

Drea Art
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Wild Geese by Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting–
over and over announcing your place
in the family of things.

.

Drea Art
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Love Sorrow by Mary Oliver

Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,

what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so

utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment

by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,

as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.

.

Drea Art
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Invitation by Mary Oliver

Oh do you have time
to linger
for just a little while
out of your busy
and very important day
for the goldfinches
that have gathered
in a field of thistles
for a musical battle,
to see who can sing
the highest note,
or the lowest,
or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air
as they strive
melodiously
not for your sake
and not for mine
and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing
just to be alive
on this fresh morning
in the broken world.
I beg of you,
do not walk by
without pausing
to attend to this
rather ridiculous performance.
It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.

.

Drea Art
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The Measure by Mary Oliver

I stopped the car and ran back and across the road
and picked up the box turtle, who only
hissed and withdrew herself into her pretty shell.
Well, goodness, it was early in the morning, not too much 
    traffic.
Rather an adventure than a risk, and anyway
who would give aid to such a shy citizen?
Who wouldn't complete the journey for it, taking it of course
in the direction of its desire: a pinewoods
where, as I learned, the blueberries ripen early.
Probably she had thought, in the middle of the night —
    Ah, it's time.
Sometimes I think our own lives are watched over like that.
Out of the mystery of the hours and the days
Something says-Let's give this one a little trial.
Let's say, put a turtle in the road she's traveling on, and
    in a hurry.
Let's see how her life is measuring up, that lucky girl.
So much happiness, so much good fortune. Ah, it's time.

.

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Crows by Mary Oliver

From a single grain they have multiplied.
When you look in the eyes of one
you have seen them all.

At the edges of highways
they pick at limp things.
They are anything but refined.

Or they fly out over the corn
like pellets of black fire,
like overlords.

(Crow is crow, you say.
What else is there to say?
Drive down any road,

take a train or an airplane
across the world, leave
your old life behind,

die and be born again—
wherever you arrive
they’ll be there first,

glossy and rowdy
and indistinguishable.
The deep muscle of the world.